Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 86
C. B. Cox, Brian Cox, David John Palmer. Language and reality in Twelfth Night At the opening of Twelfth Night , Orsino describes his love for Olivia in terms which directly recall some of the paradoxes of language and illusion in other ...
C. B. Cox, Brian Cox, David John Palmer. Language and reality in Twelfth Night At the opening of Twelfth Night , Orsino describes his love for Olivia in terms which directly recall some of the paradoxes of language and illusion in other ...
Seite 88
... language and yet is falsified by language ; without language there can be no reason yet with language there can be none either – to speak or keep silent is equally illusory . The Clown is aware that language and experience are so ...
... language and yet is falsified by language ; without language there can be no reason yet with language there can be none either – to speak or keep silent is equally illusory . The Clown is aware that language and experience are so ...
Seite 89
... language from reality : ' . . . in my conscience , sir , I do not care for you . If that be to care for nothing , sir , I would it would make you invisible ' ( III . ) . Language draws real substance into itself and becomes a self ...
... language from reality : ' . . . in my conscience , sir , I do not care for you . If that be to care for nothing , sir , I would it would make you invisible ' ( III . ) . Language draws real substance into itself and becomes a self ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words