Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 33
... line is played for it , can produce a laugh . So the comment both makes the play more like real life and reminds us ... lines are spoken we are as an audience immersed in an illusion - the willing suspension of disbelief indispensable ...
... line is played for it , can produce a laugh . So the comment both makes the play more like real life and reminds us ... lines are spoken we are as an audience immersed in an illusion - the willing suspension of disbelief indispensable ...
Seite 34
... lines given to Brutus and Cassius . Whether or not in fact the conspirators would have been aware of the significance for Western culture of their deed is immaterial to Shakespeare's intention : what is vital to it is that the audience ...
... lines given to Brutus and Cassius . Whether or not in fact the conspirators would have been aware of the significance for Western culture of their deed is immaterial to Shakespeare's intention : what is vital to it is that the audience ...
Seite 227
... lines is their decorum , their fitting of language to subject . Images are honed to a point at which they solely represent the idea , rather than taking off into their own areas of resonance or implication . Sentences are generally ...
... lines is their decorum , their fitting of language to subject . Images are honed to a point at which they solely represent the idea , rather than taking off into their own areas of resonance or implication . Sentences are generally ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words