Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 62
... merely gay and deft in her answers . It is a small , obstinate problem that is in any case hardly worth solving ; on the stage , most producers cut out the scene where Antonio makes his mistake , and this is certainly what I should do ...
... merely gay and deft in her answers . It is a small , obstinate problem that is in any case hardly worth solving ; on the stage , most producers cut out the scene where Antonio makes his mistake , and this is certainly what I should do ...
Seite 166
... mere games of poetic justice . But Hamlet is lured on by the opportunities in that word ' union ' . This can mean ... merely pragmatic . The comedian in him is distracted by awareness of what will entertain the spectators : the people ...
... mere games of poetic justice . But Hamlet is lured on by the opportunities in that word ' union ' . This can mean ... merely pragmatic . The comedian in him is distracted by awareness of what will entertain the spectators : the people ...
Seite 190
... merely different dimensions of a will to chaos . His sarcastic assessment of Cassio , ' mere prattle , without practice , Is all his soldiership ' , is as arbitrary as his later declaration to Montano that Cassio is ' a soldier fit to ...
... merely different dimensions of a will to chaos . His sarcastic assessment of Cassio , ' mere prattle , without practice , Is all his soldiership ' , is as arbitrary as his later declaration to Montano that Cassio is ' a soldier fit to ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words