Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 48
... mind when trying to assess the series so far . We are offered fine actors working seriously , with no doubt equally fine directors , and with financial resources to match , plus the great enterprise of the presentation of thirty - seven ...
... mind when trying to assess the series so far . We are offered fine actors working seriously , with no doubt equally fine directors , and with financial resources to match , plus the great enterprise of the presentation of thirty - seven ...
Seite 66
... mind that works simply and cannot entertain more than one idea at a time . He can change , when something big enough happens to make him change , but he cannot be supple , cannot perceive shifts in mood . Even after Benedick has ...
... mind that works simply and cannot entertain more than one idea at a time . He can change , when something big enough happens to make him change , but he cannot be supple , cannot perceive shifts in mood . Even after Benedick has ...
Seite 141
... mind ' is something of a subterfuge , as Clarence's drowning vision in Richard III justifies itself by the conventions of dream . Because the Nurse is stupid she stands outside what she sees , endowing it with a curious objectivity ...
... mind ' is something of a subterfuge , as Clarence's drowning vision in Richard III justifies itself by the conventions of dream . Because the Nurse is stupid she stands outside what she sees , endowing it with a curious objectivity ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words