Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 48
... offered fine actors working seriously , with no doubt equally fine directors , and with financial resources to match ... offer centres around the productions in December 1979 of the two parts of Henry IV and of Henry V. * Here are three ...
... offered fine actors working seriously , with no doubt equally fine directors , and with financial resources to match ... offer centres around the productions in December 1979 of the two parts of Henry IV and of Henry V. * Here are three ...
Seite 49
... offer them the feed - back and focus that is at the heart of the shared experience . Does television fall between two stools , being able to offer neither the visual scope and communal audience experi- ence of film and the cinema , nor ...
... offer them the feed - back and focus that is at the heart of the shared experience . Does television fall between two stools , being able to offer neither the visual scope and communal audience experi- ence of film and the cinema , nor ...
Seite 55
... offer , whilst a lively reconstruction might have regenerated the thinking of our whole theatre towards Shakespearean production . It would only be pedantic in the hands of pedants , so let that not be used as an excuse ! Lastly I offer ...
... offer , whilst a lively reconstruction might have regenerated the thinking of our whole theatre towards Shakespearean production . It would only be pedantic in the hands of pedants , so let that not be used as an excuse ! Lastly I offer ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words