Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
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Seite 113
... pattern of guilt and conscience reflected in a profoundly imaginative image we move perhaps deeper into the heart of the play , certainly further from the social and political level of the patterns examined before . Clarence's dream is ...
... pattern of guilt and conscience reflected in a profoundly imaginative image we move perhaps deeper into the heart of the play , certainly further from the social and political level of the patterns examined before . Clarence's dream is ...
Seite 114
... pattern of all ( made conspicuous by the most obviously patterned language ) ; a pattern which alone decisively involves events beyond what are presented in this play , for Margaret serves both as remembrancer of the past and prophet of ...
... pattern of all ( made conspicuous by the most obviously patterned language ) ; a pattern which alone decisively involves events beyond what are presented in this play , for Margaret serves both as remembrancer of the past and prophet of ...
Seite 115
... pattern . And when one remembers that this included a critical awareness of rhetorical falsity , and a human dimension that is his alone , one can glimpse , I think , why this play does in the end move us with some sense of tragedy ...
... pattern . And when one remembers that this included a critical awareness of rhetorical falsity , and a human dimension that is his alone , one can glimpse , I think , why this play does in the end move us with some sense of tragedy ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words