Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 111
... play , what the audience most wanted to see . His entry , or his cue rather , was used as the moment for passing the ... play , Richard is set apart from the other actors , not just in character , nor just in mode of speech , but also in ...
... play , what the audience most wanted to see . His entry , or his cue rather , was used as the moment for passing the ... play , Richard is set apart from the other actors , not just in character , nor just in mode of speech , but also in ...
Seite 165
... play . II The refusal often amounts to a comic detachment , though modern productions are usually too solemn to let the humour have free rein . It was not always so . In 1604 Anthony Scoloker defined the ideal play as one in which ' the ...
... play . II The refusal often amounts to a comic detachment , though modern productions are usually too solemn to let the humour have free rein . It was not always so . In 1604 Anthony Scoloker defined the ideal play as one in which ' the ...
Seite 171
... play's the thing Wherein I'll catch the conscience of the King ! ( II.ii. 608–9 ) Let ' King ' stand for government , for society , the world over and ' the play ' for dramatic art , so consistently concerned with sin and conscience ...
... play's the thing Wherein I'll catch the conscience of the King ! ( II.ii. 608–9 ) Let ' King ' stand for government , for society , the world over and ' the play ' for dramatic art , so consistently concerned with sin and conscience ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words