Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 9
... present human beings who are measured by an ' idea ' but not restricted by it . This theatrical possibility , drawn to our attention by the ' new ' drama and , especially , by Waiting for Godot , is of utmost importance for our ...
... present human beings who are measured by an ' idea ' but not restricted by it . This theatrical possibility , drawn to our attention by the ' new ' drama and , especially , by Waiting for Godot , is of utmost importance for our ...
Seite 10
... present men in relation to each other and at the same time suggest a symbolic pattern they do not wholly or consistently follow . This is a kind of dramatic illusion that Shakespeare might have discovered for himself . I believe he did ...
... present men in relation to each other and at the same time suggest a symbolic pattern they do not wholly or consistently follow . This is a kind of dramatic illusion that Shakespeare might have discovered for himself . I believe he did ...
Seite 68
... present in the street in the middle of the night ( why ? ) and have Borachio tell him what has happened . They do not meet by arrangement ; Conrade , though he has earlier declared that he will back Don John in any wickedness , is not ...
... present in the street in the middle of the night ( why ? ) and have Borachio tell him what has happened . They do not meet by arrangement ; Conrade , though he has earlier declared that he will back Don John in any wickedness , is not ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words