Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 29
... questions the actors asked them . They wanted to tell us about the beat of the verse , but we thought we could find ... question which would be irrelevant . And I reply , ' Certainly ; and it is hard to think of an answer that would be ...
... questions the actors asked them . They wanted to tell us about the beat of the verse , but we thought we could find ... question which would be irrelevant . And I reply , ' Certainly ; and it is hard to think of an answer that would be ...
Seite 143
... question . To ask whether the natural is true might have seemed in itself a not unnatural question to an Elizabethan ; for Edmund , who made Nature his Goddess , was an unnatural bastard who played his brother and his father false ...
... question . To ask whether the natural is true might have seemed in itself a not unnatural question to an Elizabethan ; for Edmund , who made Nature his Goddess , was an unnatural bastard who played his brother and his father false ...
Seite 170
... questions raised are not as personal as Harold C. Goddard suggests in asking : ' What if Shakespeare had turned from ... question . It is God's Hamlet who chooses the play . Goddard thus sees the Murder of Gonzago as the turning - point ...
... questions raised are not as personal as Harold C. Goddard suggests in asking : ' What if Shakespeare had turned from ... question . It is God's Hamlet who chooses the play . Goddard thus sees the Murder of Gonzago as the turning - point ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words