Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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... response ; he has entered into Beaufort's agony , as if it were his own . No one else speaks , and the king concludes the scene with : Close up his eyes and draw the curtain close ; And let us all to meditation . In Richard III ...
... response ; he has entered into Beaufort's agony , as if it were his own . No one else speaks , and the king concludes the scene with : Close up his eyes and draw the curtain close ; And let us all to meditation . In Richard III ...
Seite 171
... response to his play is not an attempt to rewrite it into a moral work ' concerned with sin and conscience ' . His most frequent response is an often disconcertingly humorous rejection . IV Hamlet rejects his play , insists it is only a ...
... response to his play is not an attempt to rewrite it into a moral work ' concerned with sin and conscience ' . His most frequent response is an often disconcertingly humorous rejection . IV Hamlet rejects his play , insists it is only a ...
Seite 173
... response : ' Like many a poet or dramatist ( e.g. Byron , Shaw ) , Hamlet attacks society by wit and buffoonery , as well as by play - production . ' Our response to Hamlet's buffoonery about Polonius , the archetype of Elsinore society ...
... response : ' Like many a poet or dramatist ( e.g. Byron , Shaw ) , Hamlet attacks society by wit and buffoonery , as well as by play - production . ' Our response to Hamlet's buffoonery about Polonius , the archetype of Elsinore society ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words