Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
Ergebnisse 1-3 von 21
Seite 108
... rhetorical than that of any other ; ejaculations of the flexibility of private speech are almost confined to Richard ... rhetoric is not to deny its psychological plausibility : the grieving widow trapped into a reversal of feeling is a ...
... rhetorical than that of any other ; ejaculations of the flexibility of private speech are almost confined to Richard ... rhetoric is not to deny its psychological plausibility : the grieving widow trapped into a reversal of feeling is a ...
Seite 109
... rhetorical in an obtrusive if brilliant way . A spectacle of persuasion , not quite persuasion itself , however ... rhetoric and reality could not be more plainly stated ; that the words are put in Margaret's mouth confirms her as ...
... rhetorical in an obtrusive if brilliant way . A spectacle of persuasion , not quite persuasion itself , however ... rhetoric and reality could not be more plainly stated ; that the words are put in Margaret's mouth confirms her as ...
Seite 200
... rhetoric but it is disturbingly invalidated by its catastrophic irrelevance to the truth of the situation as perceived by the audience , and by the internal evidence of the precariousness of its consistency . Even without resort to ...
... rhetoric but it is disturbingly invalidated by its catastrophic irrelevance to the truth of the situation as perceived by the audience , and by the internal evidence of the precariousness of its consistency . Even without resort to ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words