Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 52
... scene full of hiding and seeking , set in the half - light of early dawn . This last fact is important , and the time is established quite clearly in the preceding scenes . But of course on Shakespeare's stage this scene would generally ...
... scene full of hiding and seeking , set in the half - light of early dawn . This last fact is important , and the time is established quite clearly in the preceding scenes . But of course on Shakespeare's stage this scene would generally ...
Seite 54
... scene 4. This is the scene where we are introduced to Katherine . It is an accurately placed scene , a moment of charm in the middle of turmoil , a hint of action to come , and a knowing moment for the audience to share in . In the BBC ...
... scene 4. This is the scene where we are introduced to Katherine . It is an accurately placed scene , a moment of charm in the middle of turmoil , a hint of action to come , and a knowing moment for the audience to share in . In the BBC ...
Seite 68
... scene ( V.ii ) we see her , talking to Benedick , but the scene is entirely without function except in so far as Benedick asks her to go and fetch Beatrice and she agrees to do so ; the rest is merely an interlude of rather arid ...
... scene ( V.ii ) we see her , talking to Benedick , but the scene is entirely without function except in so far as Benedick asks her to go and fetch Beatrice and she agrees to do so ; the rest is merely an interlude of rather arid ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words