Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
Im Buch
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Seite 53
... sense of being within a theatre where the audiences are gathered around the story- teller and the players . It is this intimacy , this gathering around , that invests the play with its extraordinary charm , its sense of oneness and ...
... sense of being within a theatre where the audiences are gathered around the story- teller and the players . It is this intimacy , this gathering around , that invests the play with its extraordinary charm , its sense of oneness and ...
Seite 78
... sense of timelessness . Scenes must follow each other in linear succession , but the effect created is also that of simultaneity as we are taken from ' one part of the forest ' to ' another part of the forest ' , in the words that ...
... sense of timelessness . Scenes must follow each other in linear succession , but the effect created is also that of simultaneity as we are taken from ' one part of the forest ' to ' another part of the forest ' , in the words that ...
Seite 115
... sense of tragedy . Within this gigantic machine of order there is no place for the human will ; we are oppressed by the same sense of helplessness as can be induced by a rolling mill , or the rolling weight of the ocean . Mankind , here ...
... sense of tragedy . Within this gigantic machine of order there is no place for the human will ; we are oppressed by the same sense of helplessness as can be induced by a rolling mill , or the rolling weight of the ocean . Mankind , here ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words