Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 25
... true to Knightsian principles . He is refusing to make any inference from the seen to the unseen . He refuses to think to himself , ' Bond must have boarded a plane in Pasadena and arrived on the Tuesday morning ' . But it could easily ...
... true to Knightsian principles . He is refusing to make any inference from the seen to the unseen . He refuses to think to himself , ' Bond must have boarded a plane in Pasadena and arrived on the Tuesday morning ' . But it could easily ...
Seite 118
... true identity in men's eyes . ' Never call a true piece of gold a counterfeit ' , Falstaff tells him at the abrupt end of the ' play extempore ' , ' thou art essentially made without seeming so ' ( II.iv. 476 ) . Moreover , this ...
... true identity in men's eyes . ' Never call a true piece of gold a counterfeit ' , Falstaff tells him at the abrupt end of the ' play extempore ' , ' thou art essentially made without seeming so ' ( II.iv. 476 ) . Moreover , this ...
Seite 174
... true ! How smart a lash that speech doth give my conscience . The harlot's cheek , beautied with plast'ring art , Is not more ugly to the thing that helps it , Than is my deed to my most painted word : The two men are not only making a ...
... true ! How smart a lash that speech doth give my conscience . The harlot's cheek , beautied with plast'ring art , Is not more ugly to the thing that helps it , Than is my deed to my most painted word : The two men are not only making a ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words