Shakespeare's Wide and Universal StageC. B. Cox, Brian Cox, David John Palmer Manchester University Press, 1984 - 233 Seiten |
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Seite 81
... turn artifice inside out . ' The truest poetry is the most feigning . Of all the love - games played in the forest , Rosalind's counterfeiting with Orlando is the most sophisticated and double - edged . It is essentially equivocal ...
... turn artifice inside out . ' The truest poetry is the most feigning . Of all the love - games played in the forest , Rosalind's counterfeiting with Orlando is the most sophisticated and double - edged . It is essentially equivocal ...
Seite 147
... turns on the issue of the relevance of that remoter , small Rome to the Rome of Caesar . As usual the opening scene ... turn to menace . The commoners , unlike Dekker's shoemakers , get no joy from their holiday for the occasion is ...
... turns on the issue of the relevance of that remoter , small Rome to the Rome of Caesar . As usual the opening scene ... turn to menace . The commoners , unlike Dekker's shoemakers , get no joy from their holiday for the occasion is ...
Seite 161
... turns , as Goethe says all Shakespeare's plots turn , upon the hidden point of conflict between ' the peculiarity of our ego , the pretended freedom of our will ' and ' the necessary course of the whole ' event . 12 The republican ...
... turns , as Goethe says all Shakespeare's plots turn , upon the hidden point of conflict between ' the peculiarity of our ego , the pretended freedom of our will ' and ' the necessary course of the whole ' event . 12 The republican ...
Inhalt
Mr Becketts Shakespeare JOHN RUSSELL BROWN | 1 |
The argument about Shakespeares characters A D NUTTALL | 18 |
Shakespeare breaks the illusion JOHN EDMUNDS | 32 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Antony Arden audience aware become Benedick Bradley Brutus Brutus's Cassius characters Claudio Claudius Clown comedy comic Cordelia Coriolanus Coriolanus's course critics death Desdemona drama Elizabethan Elsinore essay Estragon fact false Falstaff father feel fool give Hal's Hamlet hath Henry hero honour human I.ii I.iii Iago II.ii illusion imagination irony Jaques Juliet Julius Caesar kill kind King King Lear Knights's L. C. Knights language Lear Lear's Leonato look Macbeth Malvolio metaphor mind moral Morgann murder nature Nurse Nurse's Olivia Othello pattern play play's plot Plutarch political Polonius Prince question reality recognise redeem response rhetoric Richard Richard III role Roman Rome Rosalind scene seems sense Shakespeare significance situation soliloquy speak speech stage suggests symbolic television tell theatre theatrical things thou tragedy tragic truth Viola Waiting for Godot Wilson Knight words