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" (My dear Saxon, this music is in the French style, which I do not understand.) Some satire was half concealed in this remark, for Handel at that time certainly imitated Lully's overtures, and the inuendo, which was a lenient punishment for conduct so... "
The Penny Cyclopædia of the Society for the Diffusion of Useful Knowledge - Seite 9
1837
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The Metropolitan, Band 2

1831 - 600 Seiten
...merely said, " Mió caro Sassone, questa música è nellostilo Francese, di che io non m'intendo."— " My dear Saxon, this music is in the French style, which I do not understand." Handel, in his younger days, made Lulli his model in writing overtures. ters are London, the Thames,...
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Musical History, Biography, and Criticism: Being a General Survey of Music ...

George Hogarth - 1835 - 486 Seiten
...character, merely said, " Mio caro Sassone, questa musica £ nello stile Francese, di che io non m'intendo." "My dear Saxon, this music is in the French style, which I don't understand." At that time, Lulli's style, in the composition of overtures, was fashionable, and...
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The Penny Cyclopædia of the Society for the Diffusion of Useful Knowledge

1837 - 564 Seiten
...calmly observing, Mw caro Sassone, questa niusica è nelle stile Francese, di c/i' 10 non iniend¿¿. (My dear Saxon, this music is in the French style,...Lully's overtures, and the inuendo, which was a lenient punish. inent for conduct so violent, could not have been misunderstood by him. Corclli, however, though...
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The penny cyclopædia [ed. by G. Long]., Band 8

Society for the diffusion of useful knowledge - 1837 - 592 Seiten
...nelle stile Francese, di eh' io non intendo. (My dear Saxon, this music is in the French style, which 1 do not understand.) Some satire was half concealed...punishment for conduct so violent, could not have been misunderstood by him. Gorelli, however, though an exquisite performer in regard to expression and taste,...
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Distinguished men of modern times [selected from The gallery of portraits ...

Arthur Thomas Malkin - 1838 - 538 Seiten
...only said," Ma, caro Sassone, questa musica e nel stilo Francese, di ch'io non m'intendo"—(" But, my dear Saxon, this music is in the French style, which I do not understand''). And so far Corelli was perfectly right; Handel's overtures are formed after the model of Lully, though,...
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Distinguished Men of Modern Times ...: Lord Somers to Hunter

1838 - 604 Seiten
...said,” Ma, caro Sassone, queata musia è nd stilo Francese, di ch'io non m'intendo”—(” But, my dear Saxon, this music is in the French style, which I do not understand”). And so far Coreill was perfectly right; Handel's overtures are formed after the model of Lully, though,...
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Musical History, Biography, and Criticism, Band 1

George Hogarth - 1838 - 332 Seiten
...character, merely said, "Mio caro Sassone, questa musica e nello stile Francese, di dieio non m'intendo." "My dear Saxon, this music is in the French style, which I don't understand." At that time, Lulli's style, in the composition of overtures, was fashionable, and...
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Essays, tales, &c

William Dawbarn - 1872 - 378 Seiten
...showed at once the high esteem he felt for the German, and his own meekness and modesty :—" But, my dear Saxon, this music is in the French style, which I do not understand." From Rome, Handel proceeded to Naples, where he was treated with much respect, and considerable efforts...
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Giovanni Pierluigi da Palestrina. Henry Purcell. Johann Sebastian Bach ...

Nathan Haskell Dole - 1902 - 346 Seiten
...more life and spirit a certain phrase should be read, the Italian with gentle courtesy replied, " But, dear Saxon, this music is in the French style, which I do not understand." In Rome Handel became intimate with Alessandro Scarlatti, the greatest Italian composer then living,...
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Performance Practice: A Dictionary-guide for Musicians

Roland John Jackson - 2005 - 552 Seiten
...concertmaster) had difficulty in playing it. After Handel played the passages himself, Corelli said, "But dear Saxon, this music is in the French style, which I do not understand" (John Mainwaring, Memoirs of the Life of the Lute George Frederic Handel. London, 1760, 56-57.) Since...
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