An Encyclopædia of Architecture: Historical, Theoretical, and PracticalLongman, Brown, Green, and Longmans, 1842 - 1089 Seiten |
Im Buch
Ergebnisse 1-5 von 28
Seite 89
... transepts and choir , whose type is indicated even in the basilica of the first Christians , that a variation is to be seen . If the cross , however , be not sufficiently apparent in the basilica , it cannot be mistaken in the churches ...
... transepts and choir , whose type is indicated even in the basilica of the first Christians , that a variation is to be seen . If the cross , however , be not sufficiently apparent in the basilica , it cannot be mistaken in the churches ...
Seite 114
... transepts , intersect each other in four places about the centre of the cross , over which intersections are small domes ; so that on the roof are four smaller and one larger dome . In the exterior front towards the Piazza San Marco ...
... transepts , intersect each other in four places about the centre of the cross , over which intersections are small domes ; so that on the roof are four smaller and one larger dome . In the exterior front towards the Piazza San Marco ...
Seite 115
... transepts , centre , and choir . It is , moreover , distinguished by two slender towers or minarets , which impart to it the air of a Saracenic edifice . 286. The Italian architecture in the Byzantine or Romanesque style preserved a ...
... transepts , centre , and choir . It is , moreover , distinguished by two slender towers or minarets , which impart to it the air of a Saracenic edifice . 286. The Italian architecture in the Byzantine or Romanesque style preserved a ...
Seite 116
... transepts which represent the arms of the cross , over whose intersection with the nave there is frequently a louvre . The choir and chancel terminate semicircularly on the plan . The semicircle prevails in the vaultings and over ...
... transepts which represent the arms of the cross , over whose intersection with the nave there is frequently a louvre . The choir and chancel terminate semicircularly on the plan . The semicircle prevails in the vaultings and over ...
Seite 117
... transepts extend 210 ft . The abbey church of Clugny , which succeeded that above mentioned , is one of the largest and most interesting of the ec- clesiastical monuments of France , and was begun in the commencement of the 11th century ...
... transepts extend 210 ft . The abbey church of Clugny , which succeeded that above mentioned , is one of the largest and most interesting of the ec- clesiastical monuments of France , and was begun in the commencement of the 11th century ...
Inhalt
1 | |
15 | |
16 | |
20 | |
43 | |
50 | |
131 | |
184 | |
509 | |
586 | |
662 | |
671 | |
687 | |
695 | |
708 | |
726 | |
202 | |
209 | |
295 | |
300 | |
378 | |
399 | |
407 | |
433 | |
445 | |
457 | |
502 | |
732 | |
779 | |
819 | |
856 | |
891 | |
920 | |
951 | |
1022 | |
1029 | |
1063 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
1-inch deal 15th century arch architect architecture architrave axis balusters base bead butt bead flush breadth bricks building called cathedral centre of gravity century church circle circular circumference colour columns construction Corinthian order cube Cubic Foot curve described diameter divided divisor Doric order draw edge edifices ellipsis entablature equal equation erected example extrados feet foot fraction half height Hence horizontal inches intercolumniations iron joints length lime limestone moulded multiplied nave oolite ornaments ovolo palace panels parallel parallelogram perpendicular piece piers placed plane portico Prop proportion pyramid quantity radius rectangle right angles right line Roman Roman architecture roof sandstone scantlings side sofite solid square root stone style subtract supposed surface tangent temple thickness timber tower transepts triangle vault vertical Vitruvius voussoirs wainscot walls whence whereof width
Beliebte Passagen
Seite 6 - In taking two stations having the same value, the one to the north and the other to the south of...
Seite 316 - The angle at the centre of a circle is double of the angle at the circumference upon the same base, that is, upon the same part of the circumference.
Seite 16 - The western face, which is the least elevated, is the most interesting on account of the appearance of building it presents. Near the summit of it appears a low wall, with interruptions, built of unburnt bricks, mixed up with chopped straw or reeds, and cemented with clay-mortar of great thickness, having between every layer a layer of reeds ; and on the north side are also some vestiges of a similar construction.
Seite 375 - As 360 is to the degrees in the arc of the sector, so is the area of the whole circle to the area of the sector.
Seite 17 - ... in breadth, diminishing in thickness to the top, which is broken and irregular, and rent by a large fissure extending through a third of its height.
Seite ix - Vive, vale ; si quid novisti rectius istis, Candidus impertí ; si non, his utere mecum.
Seite 51 - Twenty-five years, and above three millions sterling, were employed by the founder: his liberal taste invited the artists of Constantinople, the most skilful sculptors and architects of the age; and the buildings were sustained or adorned by twelve hundred columns of Spanish and African, of Greek and Italian marble. The hall of audience was...
Seite 372 - PROBLEM I. To find the area of a parallelogram, whether it be a square, a rectangle, a rhombus, or a rhomboides.
Seite 199 - The taste of all these stately mansions was that bastard style which intervened between Gothic and Grecian architecture; or which perhaps was the style that had been invented for the houses of the nobility, when they first ventured on the settlement of the kingdom after the termination of the quarrel between the Roses, to abandon their fortified dungeons, and consult convenience and magnificence...
Seite 216 - What the back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care that his work should not appear crude and hard, that is, that it did not abruptly start out of the ground without expectation or preparation.