A Critical History of English PoetryOxford University Press, 1946 - 593 Seiten |
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Seite 12
... French ; his songs , though often savage in tone , are far from rude in form ; he has a good command of couplet , rime couée , and octet in rhyme aptly em- bellished with alliteration . For while adopting the French system English verse ...
... French ; his songs , though often savage in tone , are far from rude in form ; he has a good command of couplet , rime couée , and octet in rhyme aptly em- bellished with alliteration . For while adopting the French system English verse ...
Seite 23
... French than their left heel . " The juridical system was national : the Roman Law was " outlandish " : our land laws were fixed in many principles which for centuries remained unquestioned . Learning and art had ceased to be monastic ...
... French than their left heel . " The juridical system was national : the Roman Law was " outlandish " : our land laws were fixed in many principles which for centuries remained unquestioned . Learning and art had ceased to be monastic ...
Seite 24
... French poet like Froissart might visit England and find a patron in an English princess . The new poetry represented by Chaucer and Gower was , one might say , French poetry written in English , coloured by the English temperament and ...
... French poet like Froissart might visit England and find a patron in an English princess . The new poetry represented by Chaucer and Gower was , one might say , French poetry written in English , coloured by the English temperament and ...
Inhalt
Chapter | 3 |
Chapter | 10 |
Chapter Three | 23 |
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Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called Camb century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic Essay eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination interest John Johnson Keats King Lady language later lines live lover metre Milton mind mood moral Nature never night odes Oxfd Oxford Oxford Poets Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tragedy translation truth vols words Wordsworth write written wrote