A Critical History of English PoetryOxford University Press, 1946 - 593 Seiten |
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Seite 50
... drama . Mediaeval drama was in no sense derived from the classical drama of Greece and Rome . Under the later Empire classical drama perished of its own bestial- ity , which the Church could neither utilise nor condone . But the mimetic ...
... drama . Mediaeval drama was in no sense derived from the classical drama of Greece and Rome . Under the later Empire classical drama perished of its own bestial- ity , which the Church could neither utilise nor condone . But the mimetic ...
Seite 110
... drama in so far as it is poetic . English drama in the form of Miracle Play , Morality , and Interlude was a verse drama from the outset : a poetic drama one can scarcely call it ; its style was almost always homely , not to say banal ...
... drama in so far as it is poetic . English drama in the form of Miracle Play , Morality , and Interlude was a verse drama from the outset : a poetic drama one can scarcely call it ; its style was almost always homely , not to say banal ...
Seite 151
... drama was on the lees by the time Parliament closed the theatres in 1642 . Elizabethan drama is no longer rated so high as it was in the nineteenth century , when criticism was still bewitched by Charles Lamb . Affection transferred to ...
... drama was on the lees by the time Parliament closed the theatres in 1642 . Elizabethan drama is no longer rated so high as it was in the nineteenth century , when criticism was still bewitched by Charles Lamb . Affection transferred to ...
Inhalt
Chapter | 3 |
Chapter | 10 |
Chapter Three | 23 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called Camb century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic Essay eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination interest John Johnson Keats King Lady language later lines live lover metre Milton mind mood moral Nature never night odes Oxfd Oxford Oxford Poets Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tragedy translation truth vols words Wordsworth write written wrote