A Critical History of English PoetryOxford University Press, 1946 - 593 Seiten |
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Seite 295
... less well , more or less purely , in the Scottish tongue entered the head of none of his teachers or his Edinburgh patrons and admirers . They were all more or less Anglicisers , bent on eschewing Scotticisms . The Scot- tish tongue ...
... less well , more or less purely , in the Scottish tongue entered the head of none of his teachers or his Edinburgh patrons and admirers . They were all more or less Anglicisers , bent on eschewing Scotticisms . The Scot- tish tongue ...
Seite 392
... less exalted minds . This is the chief effect , whatever influence Greek poetry had or might have had on the thought and substance of his poems . For there is no radical change in the tenor of the two chief poems composed in 1818 ...
... less exalted minds . This is the chief effect , whatever influence Greek poetry had or might have had on the thought and substance of his poems . For there is no radical change in the tenor of the two chief poems composed in 1818 ...
Seite 401
... less completely , he used the run - on movement of the poems in rhyming couplets or blank verse , with an effect ... less masculine than Byron's , Shelley's stanzas are not less natural and easy , and infinitely more delicately musical ...
... less completely , he used the run - on movement of the poems in rhyming couplets or blank verse , with an effect ... less masculine than Byron's , Shelley's stanzas are not less natural and easy , and infinitely more delicately musical ...
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Chapter | 3 |
Chapter | 10 |
Chapter Three | 23 |
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Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called Camb century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic Essay eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination interest John Johnson Keats King Lady language later lines live lover metre Milton mind mood moral Nature never night odes Oxfd Oxford Oxford Poets Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tragedy translation truth vols words Wordsworth write written wrote