A Critical History of English PoetryOxford University Press, 1946 - 593 Seiten |
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Seite 193
... poet , the changes his style underwent as he turned from one theme to another in quest of an audience and a livelihood , for Dryden is the first English poet who lived mainly or wholly by his pen . No Elizabethan poet did so unless he ...
... poet , the changes his style underwent as he turned from one theme to another in quest of an audience and a livelihood , for Dryden is the first English poet who lived mainly or wholly by his pen . No Elizabethan poet did so unless he ...
Seite 413
... poet , when he passed from the early comedies with the sensuous charm of their poetic flights- " I know a bank where ... poet as poet whose vision of life grows wider and deeper , bringing with it a corresponding change in the technique ...
... poet , when he passed from the early comedies with the sensuous charm of their poetic flights- " I know a bank where ... poet as poet whose vision of life grows wider and deeper , bringing with it a corresponding change in the technique ...
Seite 414
... poet's goal in an age of active humanitarianism . Moreover the two poets who had excited Keats's early admiration , Spenser and Milton , had both written with such great didactic ends in view , if one may doubt whether this was the ...
... poet's goal in an age of active humanitarianism . Moreover the two poets who had excited Keats's early admiration , Spenser and Milton , had both written with such great didactic ends in view , if one may doubt whether this was the ...
Inhalt
Chapter | 3 |
Chapter | 10 |
Chapter Three | 23 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called Camb century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic Essay eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination interest John Johnson Keats King Lady language later lines live lover metre Milton mind mood moral Nature never night odes Oxfd Oxford Oxford Poets Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tragedy translation truth vols words Wordsworth write written wrote