A Critical History of English PoetryOxford University Press, 1946 - 593 Seiten |
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Seite 31
... seem as arbitrary as those of her husband with Griseldis . But at the end Chaucer's own mood breaks out , and he treats ... seems that Chaucer knew also Il Filocolo , a prose version by Boccaccio of the French Floris et Blanchefleur . At ...
... seem as arbitrary as those of her husband with Griseldis . But at the end Chaucer's own mood breaks out , and he treats ... seems that Chaucer knew also Il Filocolo , a prose version by Boccaccio of the French Floris et Blanchefleur . At ...
Seite 34
... seems to have used Il Teseida at first as a quarry to borrow from for various poems . The fate of Arcite after death is well transferred to the more tragic Troilus . He borrows from the same poem for the Parlement of Foules , as has ...
... seems to have used Il Teseida at first as a quarry to borrow from for various poems . The fate of Arcite after death is well transferred to the more tragic Troilus . He borrows from the same poem for the Parlement of Foules , as has ...
Seite 143
... seems to be peopled wholly by fools and knaves . Compared with Molière ( a fairer comparison ) he seems heavy - handed , bludgeoning his victims instead of pinking them . For all that , he towers above all his contemporaries except ...
... seems to be peopled wholly by fools and knaves . Compared with Molière ( a fairer comparison ) he seems heavy - handed , bludgeoning his victims instead of pinking them . For all that , he towers above all his contemporaries except ...
Inhalt
Chapter | 3 |
Chapter | 10 |
Chapter Three | 23 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called Camb century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic Essay eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination interest John Johnson Keats King Lady language later lines live lover metre Milton mind mood moral Nature never night odes Oxfd Oxford Oxford Poets Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tragedy translation truth vols words Wordsworth write written wrote