A Critical History of English PoetryOxford University Press, 1946 - 593 Seiten |
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Seite 355
... sense and the objects of sense were for a moment in abeyance and the soul had direct perception of reality . At its highest this is the distinctively mystical experience called Ecstasy , the “ serene and blessed mood " of Tintern Abbey ...
... sense and the objects of sense were for a moment in abeyance and the soul had direct perception of reality . At its highest this is the distinctively mystical experience called Ecstasy , the “ serene and blessed mood " of Tintern Abbey ...
Seite 461
... sense was not , as with most poets , the sense of sight nor , as with Milton , of hearing , but the muscular sense , the sense of pressure . What strikes us first of all in Browning is his superabundant energy . Since the main haunt and ...
... sense was not , as with most poets , the sense of sight nor , as with Milton , of hearing , but the muscular sense , the sense of pressure . What strikes us first of all in Browning is his superabundant energy . Since the main haunt and ...
Seite 516
... sense of the romance inherent in his theme , the British Empire , what it had meant in adventure , in valour and discipline , in self - abnegation and sense of duty , grew steadily deeper and more serious even as the dangers from within ...
... sense of the romance inherent in his theme , the British Empire , what it had meant in adventure , in valour and discipline , in self - abnegation and sense of duty , grew steadily deeper and more serious even as the dangers from within ...
Inhalt
Chapter | 3 |
Chapter | 10 |
Chapter Three | 23 |
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Häufige Begriffe und Wortgruppen
A. C. Swinburne A. H. Bullen allegory ballad beauty Blake blank verse Burns Byron called Camb century character charm Chaucer Christian Coleridge comedy Cowper Crabbe death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic Essay eyes Faerie Queene feeling French Greek heart Heaven human hymns imagination interest John Johnson Keats King Lady language later lines live lover metre Milton mind mood moral Nature never night odes Oxfd Oxford Oxford Poets Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tragedy translation truth vols words Wordsworth write written wrote