Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 01.09.2000 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
Im Buch
Ergebnisse 1-3 von 37
Seite 17
... confront var- ious aspects of politically organized violence in different post - 1789 contexts as well , in particular the Shoah . The theatrical here and now , showing an aspect of the French Revolution on the stage , inevitably seems ...
... confront var- ious aspects of politically organized violence in different post - 1789 contexts as well , in particular the Shoah . The theatrical here and now , showing an aspect of the French Revolution on the stage , inevitably seems ...
Seite 31
... confronted a subject ominously charged with destructive energies , which at the same time forces us to confront the most im- portant and most painful ideological and political issues the country is struggling to solve . The Theatrical ...
... confronted a subject ominously charged with destructive energies , which at the same time forces us to confront the most im- portant and most painful ideological and political issues the country is struggling to solve . The Theatrical ...
Seite 101
... confront the rubble . The theatre , as opposed to de Beauvoir's analysis of de Sade , is it seems always based on an attempt to reconcile " the inwardness of consciousness " with the " opacity of the flesh . " The theatre creates signs ...
... confront the rubble . The theatre , as opposed to de Beauvoir's analysis of de Sade , is it seems always based on an attempt to reconcile " the inwardness of consciousness " with the " opacity of the flesh . " The theatre creates signs ...
Inhalt
Introduction | 1 |
Three European Productions about the French Revolution | 99 |
Three American Productions of Dantons Death | 135 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Eingeschränkte Leseprobe - 2002 |
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Brook Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction Dybbuk examined film formance frei vom Toitland French Revolution guillotine Habima Theatre Haifa Municipal Theatre historian historical events historical past ideological Israeli Shoah Performances issue Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical Mishima museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre Sade's scene Second World Selma Sobol Sobol's Ghetto specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson Wilson's production witness
Verweise auf dieses Buch
Memory, Allegory, and Testimony in South American Theater: Upstaging ... Ana Elena Puga Keine Leseprobe verfügbar - 2008 |
Past Performance: American Theatre and the Historical Imagination Roger Bechtel Eingeschränkte Leseprobe - 2007 |