Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 01.09.2000 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite 52
... doubt relevant as a warning to audiences all over the world , including the Germans . The dressing of Kittel on the stage is no doubt an interesting case in many respects . It would introduce a theatrical dimension from the very ...
... doubt relevant as a warning to audiences all over the world , including the Germans . The dressing of Kittel on the stage is no doubt an interesting case in many respects . It would introduce a theatrical dimension from the very ...
Seite 57
... doubt also implicitly refers to the famous Habimah production of The Dybbuk , which ends with the unification of Leah and Hanan in the " Igra Rama , " designating the high mystical abode ( i.e. , in the realm of the dead ) . When The ...
... doubt also implicitly refers to the famous Habimah production of The Dybbuk , which ends with the unification of Leah and Hanan in the " Igra Rama , " designating the high mystical abode ( i.e. , in the realm of the dead ) . When The ...
Seite 142
... doubt subordinated to the comprehensive concept of the productions themselves . The superficiality and often even hostility with which most of the critics responded to Büchner's drama in their reviews is remarkable . They show no ...
... doubt subordinated to the comprehensive concept of the productions themselves . The superficiality and often even hostility with which most of the critics responded to Büchner's drama in their reviews is remarkable . They show no ...
Inhalt
Introduction | 1 |
Three European Productions about the French Revolution | 99 |
Three American Productions of Dantons Death | 135 |
Urheberrecht | |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Eingeschränkte Leseprobe - 2002 |
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Brook Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction Dybbuk examined film formance frei vom Toitland French Revolution guillotine Habima Theatre Haifa Municipal Theatre historian historical events historical past ideological Israeli Shoah Performances issue Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical Mishima museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre Sade's scene Second World Selma Sobol Sobol's Ghetto specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson Wilson's production witness
Verweise auf dieses Buch
Memory, Allegory, and Testimony in South American Theater: Upstaging ... Ana Elena Puga Keine Leseprobe verfügbar - 2008 |
Past Performance: American Theatre and the Historical Imagination Roger Bechtel Eingeschränkte Leseprobe - 2007 |