Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 01.09.2000 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
Im Buch
Ergebnisse 1-3 von 25
Seite 103
... force . Our main hope in this particular experiment is that it will have the right sort of provocative professional effect — and this is different from what Artaud was doing . His aim was infinitely larger , and would relate to ...
... force . Our main hope in this particular experiment is that it will have the right sort of provocative professional effect — and this is different from what Artaud was doing . His aim was infinitely larger , and would relate to ...
Seite 201
... force or pure volcanic energy , but aesthetically as well . Brook's pro- duction of Marat / Sade viewed on film today is highly charged with such energies , coming from many different sources , and those who still remember the stage ...
... force or pure volcanic energy , but aesthetically as well . Brook's pro- duction of Marat / Sade viewed on film today is highly charged with such energies , coming from many different sources , and those who still remember the stage ...
Seite 206
... forces of history , does appear . Instead of a deus ex machina of redemption , Bergman presents the destructive nature of the forces of history as a metaphysical presence , which has no logical cause . The atom - bomb mushroom appears ...
... forces of history , does appear . Instead of a deus ex machina of redemption , Bergman presents the destructive nature of the forces of history as a metaphysical presence , which has no logical cause . The atom - bomb mushroom appears ...
Inhalt
Introduction | 1 |
Three European Productions about the French Revolution | 99 |
Three American Productions of Dantons Death | 135 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Eingeschränkte Leseprobe - 2002 |
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Brook Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction Dybbuk examined film formance frei vom Toitland French Revolution guillotine Habima Theatre Haifa Municipal Theatre historian historical events historical past ideological Israeli Shoah Performances issue Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical Mishima museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre Sade's scene Second World Selma Sobol Sobol's Ghetto specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson Wilson's production witness
Verweise auf dieses Buch
Memory, Allegory, and Testimony in South American Theater: Upstaging ... Ana Elena Puga Keine Leseprobe verfügbar - 2008 |
Past Performance: American Theatre and the Historical Imagination Roger Bechtel Eingeschränkte Leseprobe - 2007 |