Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 01.09.2000 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
Im Buch
Ergebnisse 1-3 von 48
Seite 9
... notion of performing history emphasizes the fact that the actor performing a historical figure on the stage in a sense also be- comes a witness of the historical event . As a witness the actor does not necessarily have to strive toward ...
... notion of performing history emphasizes the fact that the actor performing a historical figure on the stage in a sense also be- comes a witness of the historical event . As a witness the actor does not necessarily have to strive toward ...
Seite 188
... notion of performing history . The question I wish to raise is rather how the complex semiotic economy of emotions ex- pressed in the words of Lucille or moments similar to it , moments Energies where everything seems to be at stake is ...
... notion of performing history . The question I wish to raise is rather how the complex semiotic economy of emotions ex- pressed in the words of Lucille or moments similar to it , moments Energies where everything seems to be at stake is ...
Seite 189
... notion of energy has been most frequently employed in the contexts of acting and directing . But it can also be found in discourses about dramatic texts from the distant past , the " vehicles " used by the actors to create their ...
... notion of energy has been most frequently employed in the contexts of acting and directing . But it can also be found in discourses about dramatic texts from the distant past , the " vehicles " used by the actors to create their ...
Inhalt
Introduction | 1 |
Three European Productions about the French Revolution | 99 |
Three American Productions of Dantons Death | 135 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Eingeschränkte Leseprobe - 2002 |
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Brook Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction Dybbuk examined film formance frei vom Toitland French Revolution guillotine Habima Theatre Haifa Municipal Theatre historian historical events historical past ideological Israeli Shoah Performances issue Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical Mishima museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre Sade's scene Second World Selma Sobol Sobol's Ghetto specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson Wilson's production witness
Verweise auf dieses Buch
Memory, Allegory, and Testimony in South American Theater: Upstaging ... Ana Elena Puga Keine Leseprobe verfügbar - 2008 |
Past Performance: American Theatre and the Historical Imagination Roger Bechtel Eingeschränkte Leseprobe - 2007 |