Shakespeare on Love and LustColumbia University Press, 22.07.2002 - 248 Seiten The complex and sometimes contradictory expressions of love in Shakespeare's works—ranging from the serious to the absurd and back again—arise primarily from his dramatic and theatrical flair rather than from a unified philosophy of love. Untangling his witty, bawdy (and ambiguous) treatment of love, sex, and desire requires a sharp eye and a steady hand. In Shakespeare on Love and Lust, noted scholar Maurice Charney delves deeply into Shakespeare's rhetorical and thematic development of this largest of subjects to reveal what makes his plays and poems resonate with contemporary audiences. The paradigmatic star-crossed lovers of Romeo and Juliet, the comic confusions of couples wandering through the wood in A Midsummer Night's Dream, Othello's tragic jealousy, the homoerotic ways Shakespeare played with cross-dressing on the Elizabethan stage—Charney explores the world in which Shakespeare lived, and how it is reflected and transformed in the one he created. |
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... Lear (5.3.40). These traits become crucial in Macbeth, where Lady Macbeth speaks of unsexing herself from her role as woman and mother at the same time as she insists that her husband be manly and kill the king. The gender issues of ...
... Lear, Regan is bitterly aware that her sister Goneril is her rival for the love of Edmund: at her late being here She gave strange eliads and most speaking looks To noble Edmund. (4.5.24–26) Goneril's “eliads'' suggest that she is ...
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Inhalt
1 | |
9 | |
2 Love Doctrine in the Comedies | 27 |
3 Love Doctrine in the Problem Plays and Hamlet | 63 |
4 Love Doctrine in the Tragedies | 79 |
5 Enemies of Love | 107 |
6 Gender Definitions | 133 |
7 Homoerotic Discourses | 159 |
Sexual Wit | 181 |
Afterword | 209 |
Notes | 213 |
Index | 227 |