Foregrounded Description in Prose Fiction: Five Cross-literary StudiesUniversity of Toronto Press, 1995 - 183 Seiten In this wide-ranging study, José Manuel Lopes proposes a theoretical framework for analysing the role of description in prose fiction. He offers readings of texts drawn from four national literatures--French, Spanish, Portuguese, and Brazilian--testing his model across a cultural and temporal spectrum. This critical breadth also illustrates the significance of description in disparate contexts: the postmodern novel, which implicitly challenges conventional notions of foreground and background, as well as the naturalist and realist fiction of the nineteenth century. Lopes applies his model to detailed readings of Emile Zola's Une Page d'amour, Claude Simon's Histoire, Benito Pérez Galdós' La de Bringas, Cornélio Penna's A Menina Morta, and Carlos de Oliveira's Finisterra. In addition to exploring the interplay of description and narration, these readings pay particular attention to spatial descriptions, and analyse the diverse roles of description in different contexts. After subjecting each fictional text to a detailed analysis which seeks to bring out the crucial aspects that contribute towards the foregrounding of descriptive passages (e.g., mise en abyme, parody, modes of representation), and which establishes, on occasion, certain relations that literary description may entertain with the other arts, he attempts to isolate the primary functions of foregrounding descriptions. What he seeks to demonstrate is that description constitutes a major textual component necessary for the analysis and understanding of both nineteenth- and twentieth-century fictional texts. |
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... paint can leave on a surface , leads us to reflect on the dynamic aspects common to this description and to impressionist painting in general . Given the treatment of their subject matter , many impressionist paintings are non ...
... paintings or ' carefully planned photographs , ' as opposed to literary description in prose fiction , do not solicit identical reading activities.15 Unlike descriptions in literature , a painting / photo- graph can generally be ...
... painting / photograph . This concept , which has been discussed since Lessing's Laocoön , or On the Limits of Painting and Poetry ( first published in 1766 ) , 22 is expanded by Wendy Steiner in Pic- tures of Romance : Form against ...
Inhalt
Introduction | 3 |
Description and mise en abyme in Zolas Une Page damour | 28 |
Reading of visual images and postcard descriptions in Claude | 51 |
Urheberrecht | |
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Foregrounded Description in Prose Fiction: Five Cross-Literary Studies José M. Lopes Eingeschränkte Leseprobe - 1995 |
Foregrounded Description in Prose Fiction: Five Cross-literary Studies José Manuel Lopes Keine Leseprobe verfügbar - 1995 |
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Verweise auf dieses Buch
Narrative Interludes: Musical Tableaux in Eighteenth-century French Texts Tili Boon Cuillé Eingeschränkte Leseprobe - 2006 |
The Prose of Things: Transformations of Description in the Eighteenth Century Cynthia Wall Eingeschränkte Leseprobe - 2006 |