Shakespeare and the Confines of ArtRoutledge, 11.10.2013 - 184 Seiten First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control. |
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Seite
... Love's Labour's Lost 4 The Abandon'd Cave 5 Romeo and Juliet 6 Hamlet 7 The Problem Plays ( i ) 33 49 71 83 95 8 The Problem Plays ( ii ) 109 9 The Jacobean Tragedies 121 10 Last Plays 139 Conclusion Notes Index 161 163 168 Line ...
... Love's Labour's Lost 4 The Abandon'd Cave 5 Romeo and Juliet 6 Hamlet 7 The Problem Plays ( i ) 33 49 71 83 95 8 The Problem Plays ( ii ) 109 9 The Jacobean Tragedies 121 10 Last Plays 139 Conclusion Notes Index 161 163 168 Line ...
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... Love's Labour's Lost , and was at the same time testing the tragic possibilities of the history - play , of Ovidian horror , and of romantic love . Or we can just tell off the plays he wrote in two or three years at the turn of the ...
... Love's Labour's Lost , and was at the same time testing the tragic possibilities of the history - play , of Ovidian horror , and of romantic love . Or we can just tell off the plays he wrote in two or three years at the turn of the ...
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... Love's Labour's Lost and Midsummer Night's Dream are filled with a gentle mockery of the art which builds them . There is something more than good - humoured modesty in this mockery : it appears in very sober form in the later part of ...
... Love's Labour's Lost and Midsummer Night's Dream are filled with a gentle mockery of the art which builds them . There is something more than good - humoured modesty in this mockery : it appears in very sober form in the later part of ...
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Inhalt
1 | |
2 The Sonnets to the Dark Woman | 17 |
3 Loves Labours Lost | 33 |
4 The Abandond Cave | 49 |
5 Romeo and Juliet | 71 |
6 Hamlet | 83 |
7 The Problem Plays i | 95 |
8 The Problem Plays ii | 109 |
9 The Jacobean Tragedies | 121 |
10 Last Plays | 139 |
Conclusion | 161 |
Notes | 163 |
Index | 168 |
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Häufige Begriffe und Wortgruppen
accept achieved Achilles action All's audience beauty believe Berowne Bertram bring Capulet characters Comedy of Errors comedy's conventions Cordelia corrupt created Dark Woman death Desdemona divine drama Duke Emilia evil experience fantasy feel festive comedies Florizel Friar Frye give Hamlet hate hath heaven Helena honour human Iago idea imagination innocence Jaques killing kind King Lear Leontes lives Love's Labour's Lost lovers lust Macbeth marriage masque Measure for Measure Midsummer Night's Dream mistress mood move nature of things Noble Kinsmen Othello Palamon pattern Perdita Pericles poem poet poetic poetry Prospero reality Romances Romeo and Juliet Rosalind scene scepticism seems sense sequence sexual Shake Shakespeare song sonnets speech spirit story suggest Tempest thee Theseus thou Timon tragedy Troilus and Cressida truth trying turn Twelfth Night Ulysses valuation victory vision Winter's Tale words writing youth