How to Speak: Exercises in Voice Culture and Articulation with Illustrative PoemsLittle, Brown, 1922 - 158 Seiten |
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Ergebnisse 1-5 von 13
Seite 20
... nostrils . One of the most important things to consider is this con- nection between the starting place of the breath and the focal point of the tone . Having established the sensation of breath - control , the next step to consider is ...
... nostrils . One of the most important things to consider is this con- nection between the starting place of the breath and the focal point of the tone . Having established the sensation of breath - control , the next step to consider is ...
Seite 21
... Nostrils . 4. Upper pharynx . 5. Lower pharynx . 6. Cavity of mouth . 7. Larynx . 8. Trachea or windpipe . 9. Esophagus or food canal . 10. Diaphragm . 11. Lung space . 12. Uvula . 13. Soft palate . 114. Hard palate . 15. Upper gum . 16 ...
... Nostrils . 4. Upper pharynx . 5. Lower pharynx . 6. Cavity of mouth . 7. Larynx . 8. Trachea or windpipe . 9. Esophagus or food canal . 10. Diaphragm . 11. Lung space . 12. Uvula . 13. Soft palate . 114. Hard palate . 15. Upper gum . 16 ...
Seite 22
... nostrils . One can feel the warmth of the breath in its passage through these chambers and can easily sense its direction . We should think of the tone as being borne along on the breath to the nostrils . If one centers his mind on this ...
... nostrils . One can feel the warmth of the breath in its passage through these chambers and can easily sense its direction . We should think of the tone as being borne along on the breath to the nostrils . If one centers his mind on this ...
Seite 23
... nostrils . 2. Intone the sound and prolong it , listening for the smooth humming tone , free from all rasping or grating quality . Protruding the lips tends to open the nostrils , and it also helps to project the tone , acting like the ...
... nostrils . 2. Intone the sound and prolong it , listening for the smooth humming tone , free from all rasping or grating quality . Protruding the lips tends to open the nostrils , and it also helps to project the tone , acting like the ...
Seite 25
... nostrils gives it definiteness and direction . After working with hm through the different pitches , and listening for the humming quality , one should take other speech sounds , trying to direct them to the focal point . 3. Take long o ...
... nostrils gives it definiteness and direction . After working with hm through the different pitches , and listening for the humming quality , one should take other speech sounds , trying to direct them to the focal point . 3. Take long o ...
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How to Speak: Exercises in Voice Culture and Articulation with Illustrative ... Adelaide Patterson Keine Leseprobe verfügbar - 2013 |
Häufige Begriffe und Wortgruppen
A. P. Watt Alfred Tennyson audience Bar-Lass battle blow chest consonant correct dear lad diaphragm dreams drop drum Edmund Vance Cooke Edwin Markham Eugene Field exercises explosive expression eyes Fellow My Lad flag following poems force forming France give glottis Hallelujah hard palate hear heard heart Henry Wadsworth Longfellow hold humming John Greenleaf Whittier keep lifted lips listening Little town Lord lower ribs lungs mental mouth muscles never night nostrils o'er organs of speech overtones pause pitch position practice pronounce pronunciation Recite the following resonance chambers rhythm Ring Rudyard Kipling scale short singing sleep soft soft palate song soul speaker speaking stars sternum strong strong inflection sweet syllables teacher thee thou throat to-day tone tongue too,too trying upper vocal cords voice vowel vowel sounds wild words Young Fellow
Beliebte Passagen
Seite 140 - My good blade carves the casques of men, My tough lance thrusteth sure, My strength is as the strength of ten, Because my heart is pure.
Seite 138 - If you can meet with Triumph and Disaster And treat those two impostors just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, On watch the things you gave your life to broken, And stoop and build 'em up with worn-out tools.
Seite 71 - So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
Seite 43 - Up from the South, at break of day, Bringing to Winchester fresh dismay, The affrighted air with a shudder bore, Like a herald in haste, to the chieftain's door, The terrible grumble, and rumble, and roar, Telling the battle was on once more, And Sheridan twenty miles away!
Seite 70 - When Earth's last picture is painted and the tubes are twisted and dried, When the oldest colors have faded, and the youngest critic has died, We shall rest, and, faith, we shall need it— lie down for an aeon or two, Till the Master of All Good Workmen shall put us to work anew. And those that were good shall be happy: they shall sit in a golden chair; They shall splash at a ten-league canvas with brushes of comets
Seite 63 - RING out, wild bells, to the wild sky, The flying cloud, the frosty light : The year is dying in the night ; Ring out, wild bells, and let him die.
Seite 101 - A fire-mist and a planet, A crystal and a cell, A jelly-fish and a saurian. And caves where the cave-men dwell: Then a sense of law and beauty. And a face turned from the clod, Some call it Evolution, And others call it God.
Seite 70 - Blow, bugle, blow, set the wild echoes flying, Blow, bugle ; answer, echoes, dying, dying, dying. O hark, O hear ! how thin and clear, And thinner, clearer, farther going ! O sweet and far from cliff and scar The horns of Elfland faintly blowing ! Blow, let us hear the purple glens replying : Blow, bugle ; answer, echoes, dying, dying, dying.
Seite 111 - Blow, blow, thou winter wind, Thou art not so unkind As man's ingratitude ; Thy tooth is not so keen, Because thou art not seen, Although thy breath be rude.
Seite 81 - And a feeling of sadness conies o'er me, That my soul cannot resist: A feeling of sadness and longing, That is not akin to pain, And resembles sorrow only As the mist resembles the rain.