The Works of William Shakespeare: The Plays Edited from the Folio of MDCXXIII, with Various Readings from All the Editions and All the Commentators, Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, and an Essay Upon the Genius, Band 1Little, Brown, 1868 |
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Seite xv
... expressing the same sounds which are expressed by the modern orthogra- phy of the words which convey the same ideas . In continuation of this subject it may be remarked that too little attention has heretofore been paid to the old usage ...
... expressing the same sounds which are expressed by the modern orthogra- phy of the words which convey the same ideas . In continuation of this subject it may be remarked that too little attention has heretofore been paid to the old usage ...
Seite xxiv
... expression and clear syntactical coherence , or that he did not knowingly leave some verses imperfect . The whole body of the dramatic literature of his time * Some persons are incredulous as to the possibility of misprints by the ear ...
... expression and clear syntactical coherence , or that he did not knowingly leave some verses imperfect . The whole body of the dramatic literature of his time * Some persons are incredulous as to the possibility of misprints by the ear ...
Seite xxviii
... expressions of individual admiration and to esthetic criticism . Neither the Antony nor the Brutus of my hero , I come neither to bury nor to praise him . Therefore , except in the first volume , I have confined my labors xxviii PREFACE .
... expressions of individual admiration and to esthetic criticism . Neither the Antony nor the Brutus of my hero , I come neither to bury nor to praise him . Therefore , except in the first volume , I have confined my labors xxviii PREFACE .
Seite xxiv
... expression with others in two Italian poets who wrote on kindred sub- jects , occur in a play founded upon an Italian novel which had not been rendered into our language in his day , can we reasonably doubt that he was sufficiently an ...
... expression with others in two Italian poets who wrote on kindred sub- jects , occur in a play founded upon an Italian novel which had not been rendered into our language in his day , can we reasonably doubt that he was sufficiently an ...
Seite xxxii
... expression both in his plays and sonnets . True , he was of all poets the most dra- matic , and therefore the most self - forgetful ; but this trouble he did not forget . His works are full of pas- sages , to write which , if he had ...
... expression both in his plays and sonnets . True , he was of all poets the most dra- matic , and therefore the most self - forgetful ; but this trouble he did not forget . His works are full of pas- sages , to write which , if he had ...
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Adonis appears beauty Ben Jonson blood called character cheeks Collatine Collier comedy critics death dost doth dramatic dramatist edition editor Elizabethan era English eyes fair father fear folio foul genius give Gorboduc Hamlet hand hast hath heart honour John Shakespeare Julius Cæsar King Henry King Lear kiss labors lines lips live London look Lord love's Lucrece mind miracle-plays never night Note old copies passage Passionate Pilgrim personages plays poem poet poor praise printed published quarto quoth reader Robert Arden seems Shake shame shew sonnets sorrow soul speak speare speare's stage Stratford style sweet Tarquin tears tell theatre thee thine thing Thomas Thomas Lucy thou art thought thyself tion Titus Andronicus tongue Tragedy traits Troilus and Cressida true truth unto Venus and Adonis verse Warwickshire William Shakespeare words writing written youth