The Art of SpeakingGinn, 1957 - 544 Seiten |
Im Buch
Ergebnisse 1-3 von 38
Seite 294
... conversation is filled with common- place chatter , but we can raise its level with practice and with a knowledge of what makes good conversation . Let's start now . GOOD CONVERSATION Conversation differs from formal speaking chiefly in ...
... conversation is filled with common- place chatter , but we can raise its level with practice and with a knowledge of what makes good conversation . Let's start now . GOOD CONVERSATION Conversation differs from formal speaking chiefly in ...
Seite 297
... conversation , to interrupt a speaker , to contradict rudely , to argue violently , or to be stubbornly opinionated . A conversation can be stimulating and even argumentative without being a verbal brawl . for Activity Test your ...
... conversation , to interrupt a speaker , to contradict rudely , to argue violently , or to be stubbornly opinionated . A conversation can be stimulating and even argumentative without being a verbal brawl . for Activity Test your ...
Seite 528
... Conversation differs from formal speaking chiefly in the matter of organization . 4. Adjectives that were used to describe good conversation were worth - while , informal , flexible , relaxing , and repetitious . 5. Having a wide ...
... Conversation differs from formal speaking chiefly in the matter of organization . 4. Adjectives that were used to describe good conversation were worth - while , informal , flexible , relaxing , and repetitious . 5. Having a wide ...
Inhalt
Preliminaries | 1 |
5 | 27 |
Audiences Are Not Ogres | 58 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. A. Milne A. E. Housman action Activities Alfred Noyes aloud amendment appeal argument audience Audio-Visual b/w Cor camera Chairman character classmates club color & b/w communication conclusion conversation costumes drama Education effect emotional facts feel Films G. K. CHESTERTON give group discussion group reading high school humor ideas important Inductive reasoning interest interview John Masefield keep light listeners look make-up manner material means meeting microphone mood organization panel parliamentary law pause person play poem practice Prepare present problem question radio reasoning record reel color reels b/w EBF rehearsal response rhythm Roundup Directions Rudyard Kipling script selection sound speaker speaking speech stage suggestions talk tape teacher Television things tion topic unit Vachel Lindsay voice vote W. E. Henley words write York