The Art of SpeakingGinn, 1957 - 544 Seiten |
Im Buch
Ergebnisse 1-3 von 59
Seite 147
... introduction , of your speech includes all that you say from your first sentence up to the discussion , the point at which you begin to develop and expand your central idea . The introduction varies in length , depending upon what you ...
... introduction , of your speech includes all that you say from your first sentence up to the discussion , the point at which you begin to develop and expand your central idea . The introduction varies in length , depending upon what you ...
Seite 153
... introduction . Rewrite either example in your own words , but be sure to state the main idea at the beginning of your introduction . State the Purpose of Your Speech . When you state the purpose of your speech immediately , there will ...
... introduction . Rewrite either example in your own words , but be sure to state the main idea at the beginning of your introduction . State the Purpose of Your Speech . When you state the purpose of your speech immediately , there will ...
Seite 157
... introduction for an imaginary speech on any subject you wish . Deliver it before the class . If your introduction is a good one , your classmates will wish you could continue with a whole talk . If it isn't , they'll cry , " Enough ...
... introduction for an imaginary speech on any subject you wish . Deliver it before the class . If your introduction is a good one , your classmates will wish you could continue with a whole talk . If it isn't , they'll cry , " Enough ...
Inhalt
Preliminaries | 1 |
5 | 27 |
Audiences Are Not Ogres | 58 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. A. Milne A. E. Housman action Activities Alfred Noyes aloud amendment appeal argument audience Audio-Visual b/w Cor camera Chairman character classmates club color & b/w communication conclusion conversation costumes drama Education effect emotional facts feel Films G. K. CHESTERTON give group discussion group reading high school humor ideas important Inductive reasoning interest interview John Masefield keep light listeners look make-up manner material means meeting microphone mood organization panel parliamentary law pause person play poem practice Prepare present problem question radio reasoning record reel color reels b/w EBF rehearsal response rhythm Roundup Directions Rudyard Kipling script selection sound speaker speaking speech stage suggestions talk tape teacher Television things tion topic unit Vachel Lindsay voice vote W. E. Henley words write York