The TempestApplause, 1998 - 86 Seiten "Shakespeare's valedictory play is also one of his most poetical and magical. The story involves the spirit Ariel, the savage Caliban, and Prospero, the banished Duke of Milan, now a wizard living on a remote island who uses his magic to shipwreck a party of ex-compatriots. This extensively annotated version of The Tempest makes the play completely accessible to readers in the twenty-first century." "Linguist and translator Burton Raffel offers generous help with vocabulary, pronunciation, and prosody and provides alternative readings of phrases and lines. His on-page annotations give readers all the tools they need to comprehend the play and begin to explore its many possible interpretations. Raffel provides an introductory essay, and in a concluding essay, Harold Bloom examines the characters Prospero and Caliban."--BOOK JACKET. |
Im Buch
Ergebnisse 1-3 von 38
Seite
... scene , altering what has been taking place immediately prior to its setting ( see p . ix ) . BRACKETED STAGE ... SCENE , AND LINE NUMBERING SPECIFIC TO THIS TEXT Each of these scripts will show the act and scene division from F1 . They ...
... scene , altering what has been taking place immediately prior to its setting ( see p . ix ) . BRACKETED STAGE ... SCENE , AND LINE NUMBERING SPECIFIC TO THIS TEXT Each of these scripts will show the act and scene division from F1 . They ...
Seite
... Scene 3 , p . 54 this script . However , it is not always easy to distinguish if a direction is ' centred ' or not . Some are centred but not on a separate line , such as Ariel's exit before Prospero reawakens Miranda , p . 15 of this ...
... Scene 3 , p . 54 this script . However , it is not always easy to distinguish if a direction is ' centred ' or not . Some are centred but not on a separate line , such as Ariel's exit before Prospero reawakens Miranda , p . 15 of this ...
Seite
... scene set ? and how does the character normally speak ? But neither of these can be applied universally in this play . Such decision - making is too broad , and does not allow for the smaller moments of change . A more subtle approach ...
... scene set ? and how does the character normally speak ? But neither of these can be applied universally in this play . Such decision - making is too broad , and does not allow for the smaller moments of change . A more subtle approach ...
Inhalt
GENERAL INTRODUCTION A1533 | |
PRACTICAL ONPAGE HELP FOR THE READER xxii | |
COMMON TYPESETTING PECULIARITIES OF THE FOLIO | |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Adrian Alonso altered Anthonio Sebastian Ariel Prospero beleeve Boteswaine brother Caliban Stephano cam'st Ceres character Cicely Berry comma commas marked compositor do's do'st Duke of Millaine Elizabethan ENTER ARIELL Exit F2/most modern texts F3/most modern Father Ferdinand Ff set Ff's Ff/Qq Folio footnote Gonzalo grammatical hath hee's heere I'le i'th King line numbering line structure Lord magic major punctuation Measure for Measure Midsummer Nights Dream Miranda Prospero modern texts indicate modern texts set modern texts suggest Monster Musicke Naples Neil Freeman o'th occasionally onstage pause play Playhouse printed Prospero Ariel Quarto reader script Sebastian Anthonio selfe sentence set a period short lines short verse lines sleepe song sonne speaking speech Spirit stage directions Stephano and Trinculo Stephano Trinculo strange Sycorax syllables Tempest texts will set theatrical thee Third Folio thou Trinculo Caliban Trinculo Stephano verse or prose William Shakespeare word