Discourse, Band 33,Ausgabe 32011 |
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Seite 294
... role in environmental aesthetics and , in particular , help us to theorize a continent that has never been host to midcen- tury shopgirls , white - collar workers , or hotel lobbies . I read Kra- cauer with early films about Antarctic ...
... role in environmental aesthetics and , in particular , help us to theorize a continent that has never been host to midcen- tury shopgirls , white - collar workers , or hotel lobbies . I read Kra- cauer with early films about Antarctic ...
Seite 322
... role that cinema has played in modifying the modern psyche more generally speaking ( see figure la , lc - d ) . While self - reflective scenes where cinema filmed itself , so to speak , revealing its conditions of showing and experience ...
... role that cinema has played in modifying the modern psyche more generally speaking ( see figure la , lc - d ) . While self - reflective scenes where cinema filmed itself , so to speak , revealing its conditions of showing and experience ...
Seite 353
... role of the supreme signifier who can stand in for and cover up every other figure in the story ( note his fear of being covered up himself ) . He occupies the mother's womb , he replaces Georg's letters with his own , he stands in for ...
... role of the supreme signifier who can stand in for and cover up every other figure in the story ( note his fear of being covered up himself ) . He occupies the mother's womb , he replaces Georg's letters with his own , he stands in for ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York