Discourse, Band 33,Ausgabe 32011 |
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Seite 398
... visible rather than by virtue of marks left on or in the visible . The film starts with a shot of Varda on a wide Northern beach , walking barefoot toward the camera and saying , “ And yet it's others I'm interested in , oth- ers I like ...
... visible rather than by virtue of marks left on or in the visible . The film starts with a shot of Varda on a wide Northern beach , walking barefoot toward the camera and saying , “ And yet it's others I'm interested in , oth- ers I like ...
Seite 404
... Visible and the Invisible , Merleau - Ponty calls this turn- ing inside - out of the visible a " folding back " or " invagination , " and we interpret the latter to stand not as the opposite of penetration or insemination but as the ...
... Visible and the Invisible , Merleau - Ponty calls this turn- ing inside - out of the visible a " folding back " or " invagination , " and we interpret the latter to stand not as the opposite of penetration or insemination but as the ...
Seite 407
... Visible and the Invisible , 140 . 23. For a discussion of Luce Irigaray's reading of Merleau - Ponty's notion of flesh , see Vicki Kirby , “ Culpability and the Double - Cross " ; Judith Butler , " Sexual Differ- ence as a Question of ...
... Visible and the Invisible , 140 . 23. For a discussion of Luce Irigaray's reading of Merleau - Ponty's notion of flesh , see Vicki Kirby , “ Culpability and the Double - Cross " ; Judith Butler , " Sexual Differ- ence as a Question of ...
Inhalt
Hypnotic Images Contingent Pasts | 322 |
Mourning Kafka | 342 |
Genocide in Ruins | 367 |
Urheberrecht | |
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abstraction Aesthetics Agnès Varda alien animal Antarctic Antarctica Antigone archive Armenian diaspora Armenian diasporic Arnheim become biopolitics body camera catachresis catastrophe Cavarero cinema Corngold Creon Creon's Critique Culture death Derrida diasporic Discourse dissemination double Esposito essay exploration father figure filmmaker flesh folding forget Franz Kafka gender genocide Gilles Deleuze Gleaners gleaning hand horror human hymen hypnosis hypnotic Ibid images International Jacques Derrida Janet judgment Judith Butler Kassabian Kazanjian Kracauer language Lemkin's Léonce Perret letter logic means melancholy memory mental Merleau-Ponty metoikos mirror modern mother mourning narrative nature nian Nichanian photograph physical reality Pierre Janet Pinched Cheeks play Pole politics Ponting psychological quotation Raphael Lemkin Rocks of Kador ruins Saint Petersburg screen Sexuality shot Siegfried Kracauer Sigmund Freud slightly green South story Suzanne Theory of Film tion trans traumatic turn University Press vandal Varda violence visible voice-over woman word writing York