Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2003 - 494 Seiten It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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Ergebnisse 1-5 von 26
Seite 7
... describes as “ country comedians " who " abuse simple people with a printed play or two , which they bought at Canterbury for sixpence . " 9934 Print , then , was central to the late fifteenth- and sixteenth - century theatrical revival ...
... describes as “ country comedians " who " abuse simple people with a printed play or two , which they bought at Canterbury for sixpence . " 9934 Print , then , was central to the late fifteenth- and sixteenth - century theatrical revival ...
Seite 8
... describes the creation of typo- graphic conventions for the drama and the relations among theatrical troupes , dramatists , and publishers during the period of the establishment of professional theatre in Europe . Chapter 2 , " Drama as ...
... describes the creation of typo- graphic conventions for the drama and the relations among theatrical troupes , dramatists , and publishers during the period of the establishment of professional theatre in Europe . Chapter 2 , " Drama as ...
Seite 10
... describes the role of print in the creation of the actor as author of the scene - paradigm of social role - playing , prototype for the changeling self as subject . Chapter 15 , “ A The- atre Too Much With Us , " looks at the renewal of ...
... describes the role of print in the creation of the actor as author of the scene - paradigm of social role - playing , prototype for the changeling self as subject . Chapter 15 , “ A The- atre Too Much With Us , " looks at the renewal of ...
Seite 26
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Inhalt
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
The Sense of the Senses Sound Gesture and the Body on Stage | 147 |
Narrative Form and Theatrical Illusions | 166 |
Framing Space Time Perspective and Motion in the Image | 181 |
THE COMMERCE OF LETTERS | 201 |
Notes | 313 |
Works Cited | 444 |
487 | |
Andere Ausgaben - Alle anzeigen
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2000 |
Häufige Begriffe und Wortgruppen
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes