Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2003 - 494 Seiten It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
Im Buch
Ergebnisse 1-5 von 88
Seite 1
... scene . But the theatre is inside out , with the performers at the margins and the spectators at the centre , crowded on ringed balconies wrapped around a tower rising towards the sky ( recalling the medieval iconography of the Tower of ...
... scene . But the theatre is inside out , with the performers at the margins and the spectators at the centre , crowded on ringed balconies wrapped around a tower rising towards the sky ( recalling the medieval iconography of the Tower of ...
Seite 2
Print, Text, and Performance in Europe Julie Stone Peters. ( in the scene below ) the dancer and scroll - reading ... scenes are at the centre of this study : the dramatic texts , the engravings of theatre architecture , the stage designs ...
Print, Text, and Performance in Europe Julie Stone Peters. ( in the scene below ) the dancer and scroll - reading ... scenes are at the centre of this study : the dramatic texts , the engravings of theatre architecture , the stage designs ...
Seite 5
... scenes depended on the modern architectural guides : Andrea Palladio and Vincenzo Scamozzi's Teatro Olimpico in Vicenza used Sebastiano Serlio's Architettura ( the second book , with a section on theatres , published ... scene Introduction 5.
... scenes depended on the modern architectural guides : Andrea Palladio and Vincenzo Scamozzi's Teatro Olimpico in Vicenza used Sebastiano Serlio's Architettura ( the second book , with a section on theatres , published ... scene Introduction 5.
Seite 7
... scenes , architects and scenographers relied on the technical manuals emerging from the press : guides for artists like Giacomo da Vignola's Two Rules of Perspective Practice ( 1583 ) ( with its scene - changing mechanisms ) . They drew ...
... scenes , architects and scenographers relied on the technical manuals emerging from the press : guides for artists like Giacomo da Vignola's Two Rules of Perspective Practice ( 1583 ) ( with its scene - changing mechanisms ) . They drew ...
Seite 10
... scene - paradigm of social role - playing , prototype for the changeling self as subject . Chapter 15 , “ A The- atre Too Much With Us , " looks at the renewal of anti - theatricalism in response to the extra - spectacular nineteenth ...
... scene - paradigm of social role - playing , prototype for the changeling self as subject . Chapter 15 , “ A The- atre Too Much With Us , " looks at the renewal of anti - theatricalism in response to the extra - spectacular nineteenth ...
Inhalt
Experimenting on the Page 14801630 | 15 |
Drama us Institution 16301760 | 41 |
Illustrations Promptbooks Stage Texts 17601880 | 66 |
THEATRE IMPRIMATUR | 91 |
Reinventing Theatre via the Printing Press | 93 |
Critical Law Theatrical License | 113 |
Accurate Texts Authoritative Editions | 129 |
THE SENSES OF MEDIA | 145 |
Dramatists Poets and Other Scribblers | 203 |
Who Owns the Play? Pirate Plagiarist Imitator Thief | 219 |
Making it Public | 237 |
THEATRICAL IMPRESSIONS | 255 |
Scenic Pictures | 257 |
ActorAuthor | 276 |
A Theatre Too Much With Us | 294 |
Epilogue | 308 |
The Sense of the Senses Sound Gesture and the Body on Stage | 147 |
Narrative Form and Theatrical Illusions | 166 |
Framing Space Time Perspective and Motion in the Image | 181 |
THE COMMERCE OF LETTERS | 201 |
Notes | 313 |
Works Cited | 444 |
487 | |
Andere Ausgaben - Alle anzeigen
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Eingeschränkte Leseprobe - 2000 |
Häufige Begriffe und Wortgruppen
17th century acting action actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte copies Corneille culture dedication dialogue discussion dramatic texts dramatists early edition eighteenth century English explains farces folio France French genres gesture Heywood identified illustrations imagination imitation instance Italian John Jonson kind language letters Library literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval Mémoires modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playwrights poem poet poetic poetry preface printed plays printers production prologue promptbooks published qu'il quarto readers reading Renaissance representation represented Robinson Crusoé scene scenic scripts senses seventeenth century Shakespeare similarly space spectacle spectators speech stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupe words writes