American SpeechLippincott, 1946 - 596 Seiten |
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Seite 556
... action , the climax , the falling action , and the conclusion . INTRODUCTION . The introduction of the play should give needed information of past events ; it should introduce characters ; it should establish the mood of the play ; and ...
... action , the climax , the falling action , and the conclusion . INTRODUCTION . The introduction of the play should give needed information of past events ; it should introduce characters ; it should establish the mood of the play ; and ...
Seite 557
Wilhelmina Genevava Hedde, William Norwood Brigance. THE FALLING ACTION . The falling action should be the ex- act reverse of the rising action . It is usually shorter than the ris- ing action , because in it there is more difficulty in ...
Wilhelmina Genevava Hedde, William Norwood Brigance. THE FALLING ACTION . The falling action should be the ex- act reverse of the rising action . It is usually shorter than the ris- ing action , because in it there is more difficulty in ...
Seite 558
... action , the climax , and a part of the falling action . In the third act the emotional crisis should be at its height ; the fourth act contains the falling action ; and the fifth act contains the remainder of the falling action and the ...
... action , the climax , and a part of the falling action . In the third act the emotional crisis should be at its height ; the fourth act contains the falling action ; and the fifth act contains the remainder of the falling action and the ...
Inhalt
The Place of Speech in a Democracy | 3 |
Everyday Conversation | 9 |
Talking with the Body | 83 |
Urheberrecht | |
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action ACTIVITIES actor Androclus Appleton-Century Company argument audience Author unknown bells Birthday body Booth Tarkington Boston breathing broadcast Ceres chairman climax color comedy committee Company conversation debate declamation discussion dramatic Edna Ferber effect emotion example expression falling action feel George Kelly give hand head hear high-school students High-voiced girls idea inflection interest interpretation lead character light Linguaphone listen look MACBETH make-up Maxwell Anderson meaning meeting melody microphone mood motion move muscles one-act play organization pause person Philip Barry picture pitch plot poem present problems produce programs pronounced pronunciation Proserpine puppet question radio rehearsals rhythm Rudyard Kipling Samuel French Sara Teasdale scene selection sound speaker speaking spirit gum stage story story-teller talk tell things thought tion tone topics voice vote William Shakespeare words York Zona Gale