American SpeechLippincott, 1946 - 596 Seiten |
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Ergebnisse 1-3 von 83
Seite 84
... audience can sense at once the meaning conveyed by this approach . While he is talking the speaker continues to carry fine shades of meaning to the audience by moving about , shifting weight , twisting and turning , punctuating or ...
... audience can sense at once the meaning conveyed by this approach . While he is talking the speaker continues to carry fine shades of meaning to the audience by moving about , shifting weight , twisting and turning , punctuating or ...
Seite 187
... audience cannot remember them . Two or three main heads , if well stated , can be easily remembered . Four or five ... audience . Do not quote Catholic authority to a Protestant audience on a religious issue , or vice versa . Do not ask ...
... audience cannot remember them . Two or three main heads , if well stated , can be easily remembered . Four or five ... audience . Do not quote Catholic authority to a Protestant audience on a religious issue , or vice versa . Do not ask ...
Seite 432
... AUDIENCE MANNERS . Audiences are polite most of the time , but they often forget the code of good manners . You ... audience and then by determining why they please the audience . You should give the story - teller your attention all of ...
... AUDIENCE MANNERS . Audiences are polite most of the time , but they often forget the code of good manners . You ... audience and then by determining why they please the audience . You should give the story - teller your attention all of ...
Inhalt
The Place of Speech in a Democracy | 3 |
Everyday Conversation | 9 |
Talking with the Body | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action ACTIVITIES actor Androclus Appleton-Century Company argument audience Author unknown bells Birthday body Booth Tarkington Boston breathing broadcast Ceres chairman climax color comedy committee Company conversation debate declamation discussion dramatic Edna Ferber effect emotion example expression falling action feel George Kelly give hand head hear high-school students High-voiced girls idea inflection interest interpretation lead character light Linguaphone listen look MACBETH make-up Maxwell Anderson meaning meeting melody microphone mood motion move muscles one-act play organization pause person Philip Barry picture pitch plot poem present problems produce programs pronounced pronunciation Proserpine puppet question radio rehearsals rhythm Rudyard Kipling Samuel French Sara Teasdale scene selection sound speaker speaking spirit gum stage story story-teller talk tell things thought tion tone topics voice vote William Shakespeare words York Zona Gale