American SpeechLippincott, 1946 - 596 Seiten |
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Seite 559
... emotion against emotion , with the play pivoting on a theme concerning the emotion of the lead character . The plot must always push forward . Derivative situations or outcomes of the main plot may be developed , but these situations ...
... emotion against emotion , with the play pivoting on a theme concerning the emotion of the lead character . The plot must always push forward . Derivative situations or outcomes of the main plot may be developed , but these situations ...
Seite 560
... EMOTION . A good play should be intense with emotion , with the struggle of the play emotion against emotion . The basic emo- tion of the play should be one of the basic ones of life , such as love or hate or fear . The theme of the ...
... EMOTION . A good play should be intense with emotion , with the struggle of the play emotion against emotion . The basic emo- tion of the play should be one of the basic ones of life , such as love or hate or fear . The theme of the ...
Seite 561
... emotion by supporting emotions that show that they favor or disfavor the lead character . MOTIVATION . Motivation , or cause for action , is necessary in dramatic material . It may result when there is a fusion of emotions or when the ...
... emotion by supporting emotions that show that they favor or disfavor the lead character . MOTIVATION . Motivation , or cause for action , is necessary in dramatic material . It may result when there is a fusion of emotions or when the ...
Inhalt
The Place of Speech in a Democracy | 3 |
Everyday Conversation | 9 |
Talking with the Body | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action ACTIVITIES actor Androclus Appleton-Century Company argument audience Author unknown bells Birthday body Booth Tarkington Boston breathing broadcast Ceres chairman climax color comedy committee Company conversation debate declamation discussion dramatic Edna Ferber effect emotion example expression falling action feel George Kelly give hand head hear high-school students High-voiced girls idea inflection interest interpretation lead character light Linguaphone listen look MACBETH make-up Maxwell Anderson meaning meeting melody microphone mood motion move muscles one-act play organization pause person Philip Barry picture pitch plot poem present problems produce programs pronounced pronunciation Proserpine puppet question radio rehearsals rhythm Rudyard Kipling Samuel French Sara Teasdale scene selection sound speaker speaking spirit gum stage story story-teller talk tell things thought tion tone topics voice vote William Shakespeare words York Zona Gale