American SpeechLippincott, 1946 - 596 Seiten |
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Ergebnisse 1-3 von 30
Seite 365
... feel as the characters would feel ; and he must successfully re - create the dramatic situation . If the student gets the inner feelings of the characters to be in- terpreted , it is easy to get the outward communication . He must work ...
... feel as the characters would feel ; and he must successfully re - create the dramatic situation . If the student gets the inner feelings of the characters to be in- terpreted , it is easy to get the outward communication . He must work ...
Seite 402
... feel embarrassed about reading poetry out loud alone . But if the self - conscious student reads aloud with others , he interprets with abandon , for the swinging rhythm takes possession of him and he does not feel conspicuous but self ...
... feel embarrassed about reading poetry out loud alone . But if the self - conscious student reads aloud with others , he interprets with abandon , for the swinging rhythm takes possession of him and he does not feel conspicuous but self ...
Seite 431
... feel as the characters of the story feel . He must present the story so clearly to the audience that they understand it and thoroughly appreciate it . A really good story - teller is sure of having a large audience and of holding the ...
... feel as the characters of the story feel . He must present the story so clearly to the audience that they understand it and thoroughly appreciate it . A really good story - teller is sure of having a large audience and of holding the ...
Inhalt
The Place of Speech in a Democracy | 3 |
Everyday Conversation | 9 |
Talking with the Body | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action ACTIVITIES actor Androclus Appleton-Century Company argument audience Author unknown bells Birthday body Booth Tarkington Boston breathing broadcast Ceres chairman climax color comedy committee Company conversation debate declamation discussion dramatic Edna Ferber effect emotion example expression falling action feel George Kelly give hand head hear high-school students High-voiced girls idea inflection interest interpretation lead character light Linguaphone listen look MACBETH make-up Maxwell Anderson meaning meeting melody microphone mood motion move muscles one-act play organization pause person Philip Barry picture pitch plot poem present problems produce programs pronounced pronunciation Proserpine puppet question radio rehearsals rhythm Rudyard Kipling Samuel French Sara Teasdale scene selection sound speaker speaking spirit gum stage story story-teller talk tell things thought tion tone topics voice vote William Shakespeare words York Zona Gale