American SpeechLippincott, 1946 - 596 Seiten |
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Ergebnisse 1-3 von 71
Seite 33
... Keep in mind why you are there , and lead the conversation to that subject as soon as you can do so tactfully . Then , when you have it there , keep it there . Don't discuss nonessentials . Don't provoke the other person into talking ...
... Keep in mind why you are there , and lead the conversation to that subject as soon as you can do so tactfully . Then , when you have it there , keep it there . Don't discuss nonessentials . Don't provoke the other person into talking ...
Seite 87
... Keep the weight chiefly on one foot at a time . Notice that we said chiefly on one foot , not wholly . The other limb is relaxed . It helps to maintain the balance , but supports little if anything beyond its own weight . Such a posture ...
... Keep the weight chiefly on one foot at a time . Notice that we said chiefly on one foot , not wholly . The other limb is relaxed . It helps to maintain the balance , but supports little if anything beyond its own weight . Such a posture ...
Seite 464
... keep the peace as long as the Big Powers stay together . They co - operated at San Francisco more than we thought possible . Even the Americans . Even the Rus- sians . In terms of what we know is necessary , this charter is not much ...
... keep the peace as long as the Big Powers stay together . They co - operated at San Francisco more than we thought possible . Even the Americans . Even the Rus- sians . In terms of what we know is necessary , this charter is not much ...
Inhalt
The Place of Speech in a Democracy | 3 |
Everyday Conversation | 9 |
Talking with the Body | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action ACTIVITIES actor Androclus Appleton-Century Company argument audience Author unknown bells Birthday body Booth Tarkington Boston breathing broadcast Ceres chairman climax color comedy committee Company conversation debate declamation discussion dramatic Edna Ferber effect emotion example expression falling action feel George Kelly give hand head hear high-school students High-voiced girls idea inflection interest interpretation lead character light Linguaphone listen look MACBETH make-up Maxwell Anderson meaning meeting melody microphone mood motion move muscles one-act play organization pause person Philip Barry picture pitch plot poem present problems produce programs pronounced pronunciation Proserpine puppet question radio rehearsals rhythm Rudyard Kipling Samuel French Sara Teasdale scene selection sound speaker speaking spirit gum stage story story-teller talk tell things thought tion tone topics voice vote William Shakespeare words York Zona Gale