American SpeechLippincott, 1946 - 596 Seiten |
Im Buch
Ergebnisse 1-3 von 51
Seite 499
... lines with rea- sonable ease . This ability is partly a native talent , yet not wholly so . It depends more than amateur actors realize on the ability to analyze the meanings and attitudes carried by the written lines . You should have ...
... lines with rea- sonable ease . This ability is partly a native talent , yet not wholly so . It depends more than amateur actors realize on the ability to analyze the meanings and attitudes carried by the written lines . You should have ...
Seite 523
... Lines between the eyes should be deepened , and the lines below the puffy part under the eyes should be intensified . Each wrinkle line should be accom- panied by a high - light line . A high - light line is a parallel line of grease ...
... Lines between the eyes should be deepened , and the lines below the puffy part under the eyes should be intensified . Each wrinkle line should be accom- panied by a high - light line . A high - light line is a parallel line of grease ...
Seite 524
... lines to the lips should be drawn with a brown pencil . The cor- ners of the mouth may be lifted or lowered according to the type of character that is being made up . After the lines have been completed , the entire make - up should be ...
... lines to the lips should be drawn with a brown pencil . The cor- ners of the mouth may be lifted or lowered according to the type of character that is being made up . After the lines have been completed , the entire make - up should be ...
Inhalt
The Place of Speech in a Democracy | 3 |
Everyday Conversation | 9 |
Talking with the Body | 83 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action ACTIVITIES actor Androclus Appleton-Century Company argument audience Author unknown bells Birthday body Booth Tarkington Boston breathing broadcast Ceres chairman climax color comedy committee Company conversation debate declamation discussion dramatic Edna Ferber effect emotion example expression falling action feel George Kelly give hand head hear high-school students High-voiced girls idea inflection interest interpretation lead character light Linguaphone listen look MACBETH make-up Maxwell Anderson meaning meeting melody microphone mood motion move muscles one-act play organization pause person Philip Barry picture pitch plot poem present problems produce programs pronounced pronunciation Proserpine puppet question radio rehearsals rhythm Rudyard Kipling Samuel French Sara Teasdale scene selection sound speaker speaking spirit gum stage story story-teller talk tell things thought tion tone topics voice vote William Shakespeare words York Zona Gale