All's Well That Ends WellRandom House Publishing Group, 13.09.2011 - 224 Seiten “A young man married is a man that’s marr’d.” —All’s Well That Ends Well Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of this classic play about gender, desire, and sexual love. THIS VOLUME ALSO INCLUDES MORE THAN A HUNDRED PAGES OF EXCLUSIVE FEATURES: • an original Introduction to All’s Well That Ends Well • incisive scene-by-scene synopsis and analysis with vital facts about the work • commentary on past and current productions based on interviews with leading directors, actors, and designers • photographs of key RSC productions • an overview of Shakespeare’s theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century. |
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Seite xvi
... Diana ) and begin to turn retrograde towards his own exposure . " 16 With the advent of explicit feminism and the late twentieth- century war between the sexes , it became easier for critics and audi- ences to see not just the shadowing ...
... Diana ) and begin to turn retrograde towards his own exposure . " 16 With the advent of explicit feminism and the late twentieth- century war between the sexes , it became easier for critics and audi- ences to see not just the shadowing ...
Seite xvii
... Diana and his own deception by the bed - trick ... Bertram is trying to sat- isfy sexual relations impersonally in terms of war , translating male aggression into promiscuity , in which sex is treated as the taking and possessing of a ...
... Diana and his own deception by the bed - trick ... Bertram is trying to sat- isfy sexual relations impersonally in terms of war , translating male aggression into promiscuity , in which sex is treated as the taking and possessing of a ...
Seite xxv
... Diana ( 4 % / 44 / 4 ) , First Soldier / Interpreter ( 3 % / 37 / 2 ) , Widow ( 2 % / 21 / 5 ) . LINGUISTIC MEDIUM : 55 % verse , 45 % prose . DATE : No external evidence to indicate when written or first per- formed ; usually dated to ...
... Diana ( 4 % / 44 / 4 ) , First Soldier / Interpreter ( 3 % / 37 / 2 ) , Widow ( 2 % / 21 / 5 ) . LINGUISTIC MEDIUM : 55 % verse , 45 % prose . DATE : No external evidence to indicate when written or first per- formed ; usually dated to ...
Seite xxvi
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Inhalt
Textual Notes | 107 |
Shakespeares Career in the Theater | 167 |
A Chronology | 181 |
Acknowledgments and Picture Credits | 191 |
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Häufige Begriffe und Wortgruppen
Act 3 Scene actors All's asks audience believe Bertram captain character Clown Lavatch comedy costumes Count Rossillion COUNTESS LAVATCH court critics cure daughter death DIANA KING drum Duke editors Ends Enter Helen Exit farewell Florence Folio fool France French GENTLEMAN give Gregory Doran Guy Henry hath heaven HELEN PAROLLES Henry honest honour husband INTERPRETER Jonathan Bate Judi Dench King's knave lady LAVATCH leave letter Lines live Lord Dumaine Love's Labour's Won madam maid marriage marry Measure for Measure Michael Billington modern mother Narbon never noble pardon PAROLLES BERTRAM PAROLLES LAFEW performance play play's praised pray Problem Comedies production Reynaldo ring Royal Shakespeare Company SECOND LORD sense sexual Shakespeare soldier speak stage Stratford sweet tell theater thee thine Thomas Middleton thou to't Tragedy Trevor Nunn virginity vows Widow wife woman word young