The Artistry of Shakespeare's ProseMethuen, 1968 - 452 Seiten |
Im Buch
Ergebnisse 1-3 von 18
Seite 315
... Pompey ) , or with justice ( the dispute between Elbow and Pompey , the Duke and Isabella , the executioner Abhorson and the anti - prisoner Barn- ardine ) . As with Troilus and Cressida an account of the prose alone could not - and ...
... Pompey ) , or with justice ( the dispute between Elbow and Pompey , the Duke and Isabella , the executioner Abhorson and the anti - prisoner Barn- ardine ) . As with Troilus and Cressida an account of the prose alone could not - and ...
Seite 316
... Pompey's whole milieu : ' First , an it like you , the house is a respected house ; next , this is a respected fellow ; and his mistress is a respected woman ' . In reply Pompey urges the same term at Elbow : ' his wife is a more ...
... Pompey's whole milieu : ' First , an it like you , the house is a respected house ; next , this is a respected fellow ; and his mistress is a respected woman ' . In reply Pompey urges the same term at Elbow : ' his wife is a more ...
Seite 325
... Pompey because they are being led off to prison ( although he makes one jest out of Pompey's own words , on that pathetic final appeal : ' You will not bail me then , sir ? ' – " Then , Pompey , nor now ' – III , ii ) . Lucio is mainly ...
... Pompey because they are being led off to prison ( although he makes one jest out of Pompey's own words , on that pathetic final appeal : ' You will not bail me then , sir ? ' – " Then , Pompey , nor now ' – III , ii ) . Lucio is mainly ...
Inhalt
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words