The Artistry of Shakespeare's ProseMethuen, 1968 - 452 Seiten |
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Seite 54
... malapropism , as Dull the constable explains his relationship to the Duke by service : ' I myself reprehend his own person , for I am his Grace's far- borough , ' and Costard says of the letter that ' the contempts thereof are as ...
... malapropism , as Dull the constable explains his relationship to the Duke by service : ' I myself reprehend his own person , for I am his Grace's far- borough , ' and Costard says of the letter that ' the contempts thereof are as ...
Seite 315
... malapropisms like those of Costard , Slender , and Dogberry before him take the extreme form of being opposite to the meaning intended : ' two notorious bene- factors ' , ' void of all ... malapropism , hypallage , 315 SERIOUS COMEDY.
... malapropisms like those of Costard , Slender , and Dogberry before him take the extreme form of being opposite to the meaning intended : ' two notorious bene- factors ' , ' void of all ... malapropism , hypallage , 315 SERIOUS COMEDY.
Seite 316
... malapropism is cleverly developed beyond the initial error , for it is irresistibly amusing to see a man indignant at having been described with a perfectly innocuous word ; almost as funny is to see him joyful at an equally innocuous ...
... malapropism is cleverly developed beyond the initial error , for it is irresistibly amusing to see a man indignant at having been described with a perfectly innocuous word ; almost as funny is to see him joyful at an equally innocuous ...
Inhalt
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Urheberrecht | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words