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that which is essential to the conduct and almost to the oeing of all other virtues, since neither imagination, nor invention, nor industry, nor sensibility, nor energy, nor any other good having, is of full avail without this of self-command, whereby works truly masculine and mighty, are produced, and by the signs of which they are separated from that lower host of things brilliant, magnificent, and redundant, and farther yet from that of the loose, the lawless, the exaggerated, the insolent, and the profane, I would have the necessity of it foremost among all our inculcating, and the name of it largest among all our inscribing, in so far that, over the doors of every school of Art, I would have this one word, relieved out in deep letters of pure gold,—Moderation.

I proceed more particularly to examine the nature of that second kind of beauty of which I spoke as consisting in "the appearance of felicitous fulfilment of function in living things." I have already noticed the example of very pure and high typical beauty which is to be found in the lines and gradations of unsullied snow: If, passing to the edge of a sheet of it, upon the lower Alps, early in May, we find, as we are nearly sure to find, two or three little round openings pierced in it, and through these emergent, a slender, pensive, fragile flower* whose small, dark, purple-fringed bell hangs down and shudders over the icy cleft that it has cloven, as if partly wondering at its own recent grave, and partly dying of very fatigue after its hard won victory; we shall be, or we ought to be, moved by a totally different impression of loveliness from that which we receive among the dead ice and the idle clouds. There is now uttered to us a call for sympathy, now offered to us an image of moral purpose and achievement, which, however unconscious or senseless the creature may indeed be that so seems to call, cannot be heard without affection, nor contemplated without * Soldanella Alpina

worship, by any of us whose heart is rightly tuned, or whose mind is clearly and surely sighted.

Throughout the whole of the organic creation every being in a perfect state exhibits certain appearances, or evidences, of lappiness, and besides is in its nature, its desires, its modes of nourishment, habitation, and death, illustrative or expressive of certain moral dispositions or principles. Now, first, in the keenness of the sympathy which we feel in the happiness, real or apparent, of all organic beings, and which, as we shall presently see, in variably prompts us, from the joy we have in it, to look upon those as most lovely which are most happy; and secondly, in the justness of the moral sense which rightly reads the lesson they are all intended to teach, and classes them in orders of worthiness and beauty according to the rank and nature of that lesson, whether it be of warning or example.

Its first perfection, therefore, relating to vital beauty, is the kindness and unselfish fulness of heart, which receives the utmost amount of pleasure from the happiness of all things. Of which in high degree the heart of man is incapable, neither what intense enjoyment the angels may have in all that they see of things that move and live, and in the part they take in the shedding of God's kindness upon them, can we know or conceive: only in proportion as we draw near to God, and are made in measure like unto him, can we increase this our possession of charity, of which the entire essence is in God only.

Wherefore it is evident that even the ordinary exercise of this faculty implies a condition of the whole moral being in ome measure right and healthy, and that to the entire exercise of it there is necessary the entire perfection of the Christian character, for he who loves not God, nor his brother, cannot love the grass beneath his feet and the creatures that fill those spaces in the universe which he needs not, and vhich live not for his uses; nay, he has seldom grace to be grateful even to those that love him and serve him, while, on the other hand, none can love God nor his human hrother without loving all things which his Father loves, nor without looking upon them every one as in that respect his brethren also, and perhaps worthier than he, if in the under concords they have to fill, their part is touched more truly.

For it is matter of easy demonstration, that setting the characters of typical beauty aside, the pleasure afforded by every organic form is in proportion to its appearance of healthy vital energy; as in a rose bush, setting aside all the considerations of gradated flushing of color and fair folding of line, which it shares with the cloud or the snow-wreath, we find in and through all this certain signs pleasant and acceptable as signs of life and enjoyment in the particular individual plant itself. Every leaf and stalk is seen to have a function, to be constantly exercising that function, and as it seems solely for the good and enjoyment of the plant.

BEAUTY IN ANIMALS.

Of eyes we shall find those ugliest which have in them no expression nor life whatever, but a corpse-like stare, or an indefinite meaningless glaring, as in some lights, those of owls and cats, and mostly ot insects and of all creatures in which the eye seems rather an external, optical instrument than a bodily member through which emotion and virtue of soul may be expressed (as pre-eminently in the chameleon), because the seeming want of sensibility and vitality in a living creature is the most painful of all wants. And next to these in ugliness come the eyes that gam vitality i.ideed ou1 only by means of the expression of intense malignity, as in the serpent and alligator; and next to these, to whose malignity is added the virtue of subtlety and keenness, as of the lynx and hawk; and then, by diminishing the malignity and increasing the expressions of comprehensiveness and determination, we arrive at those of the lion and eagle, and at last, by destroying malignity altogether, at the fair eye of the herbivorous tribes, wherein the superiority of beauty consists always in the greater or less sweetness and gentleness primarily, as in the gazelle, camel, and ox, and in the greater or less intellect, secondarily, as in the horse and dog, and finally, in gentleness and intellect both in man. And again, taking the mouth, another source of expression, we find it ugliest where it has none, as mostly in fish, or perhaps where, without gaining much in expression of any kind, it becomes a formidable destructive instrument, as again in the alligator, and then, by some increase of expression, we arrive at birds' beaks, wherein there is more obtained by the different ways of setting on the mandibles than is commonly supposed (compare the bills of the duck and the eagle), and thence we reach the finely-developed lips of the carnivora, which nevertheless lose that beauty they have, in the actions of snarling and biting, and from these we pass to the nobler because gentler and more sensible, of the horse, camel, and fawn, and so again up to man, only there is less traceableness of the principle in the mouths of the lower animals, because they are in slight measure only capable of expression, and chieriy used as instruments, and that of low function, whereas in man the mouth is given most definitely as a means of expression, beyond and above its lower functions.

We are to take it for granted, that every creature of God is in some way good, and has a duty and specific operation pi evidentially accessory to the well-being of all; we ai e tc look in this faith to that employment and nature of each, and to derive pleasure from their entire perfection and fitness for the duty they have to do, and in their entire fulfilment of it; and so we are to take pleasure and find beauty in the magni ficent binding together of the jaws of the ichthyosaurus for catching and holding, and in the adaptation of the lion fo> springing, and of the locust for destroying, and of the lark for singing, and in every creature for the doing of that which God has made it to do.

HUMAN BEAUTY.

'We come at last to set ourselves face to face with ourselves, expecting that in creatures made after the image of God we are to find comeliness and completion more exquisite than in the fowls of the air and the things that pass through the paths of the sea.

But behold now a sudden change from all former experience. No longer among the individuals of the race is there equality or likeness, a distributed fairness and fixed type visible in each, but evil diversity, and terrible stamp of various degradation; features seamed with sickness, dimmed by sensuality, convulsed by passion, pinched by poverty, shadowed by sorrow, branded with remorse; bodies consumed with sloth, broken down by labor, tortured by disease, dishonored in foul uses; intellects without power, hearts without hope, minds earthly and devilish; our bones full of the sin of our youth, the heaven revealing our iniquity, the earth rising

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