JahrbuchQuelle & Meyer, 1969 Vols. for 1964- include Shakespeare-Bibliographie. |
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Seite 72
... play we surely find a new play , according to what has happened to us since we last read it . Those of us who teach in universities must be all very conscious of what it is like to go back to teach King Lear again after five years : it ...
... play we surely find a new play , according to what has happened to us since we last read it . Those of us who teach in universities must be all very conscious of what it is like to go back to teach King Lear again after five years : it ...
Seite 74
... play as a whole . Attention to verse and syntax can help us to appreciate that very baffling and , in the theatre , very powerful element of rhythm . A close examination of the images and descriptive passages of the play gives an ...
... play as a whole . Attention to verse and syntax can help us to appreciate that very baffling and , in the theatre , very powerful element of rhythm . A close examination of the images and descriptive passages of the play gives an ...
Seite 199
... play is unimportant if it is considered outside of the framework of the novel . Gundolf states that Goethe shaped his interpretation so that it would suit the personality of his novel's hero but that he did not intend to have the ...
... play is unimportant if it is considered outside of the framework of the novel . Gundolf states that Goethe shaped his interpretation so that it would suit the personality of his novel's hero but that he did not intend to have the ...
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Armado Aufführung Ausdruck Baudissin beiden Beispiel besonders bewußt Bild Blankvers Bochum Bühne Charakter Commedia dell'arte Cordelia Coriolanus daughter dramatischen Dramen Edgar elisabethanischen englischen Erich Fried ersten Euphuismus Falstaff father Figur first Fritz Lichtenhahn Gebärde Gestalt gibt give Gloucester Goethe goldene Welt Goneril good großen Hamlet Hamlet's Handlung hath heart heißt Henry Holofernes interpretation Kent King Lear Komödie Komposita Kompositum König Lear läßt lichen life line love Macbeth made make mean mother muß Narr Night Ophelia Othello Pedanten play plays plot-echoes Polonius Prosa Rede Regan rhetorischen rhythmischen Rhythmus Richard Rolle Romeo Romeo und Julia scene Schauspieler schen Schlegel schließlich Schluß seems Shake Shakespeare Shakespeare's Shakespeareschen speare Spiel Sprache sprachlichen Stil Stück Szene T. S. Eliot take Text Theater theatralischen think thou time Timon Tragödie translation true Übersetzung unserer Verfasser Vers Verse viel Wahnsinn Weise Werk wieder Wieland Wieland's Wilhelm William Shakespeare Wirklichkeit Wolfgang Clemen work Wort